Artist profile
Eats Everything is a British tech house producer and DJ known for his energetic approach to the genre. His work spans club-focused productions and DJ sets that emphasize rhythm and dancefloor sensibility within the tech house framework.
Compare with another artistPlan a set with Eats Everything tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Eats Everything is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Tech House pocket.
Across 50 analysed tracks, Eats Everything averages 70% groove — straighter than 68% of individual Tech House tracks — and 63% energy, harder than 60%.
Measured against 25,372 Tech House tracks on 11 August 2026.
Most tracks sit between 98–140 BPM with a median of 130 · predominantly minor keys (70% minor) · most common key: 7A (D Minor) with 7 tracks.
How Eats Everything’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Tech House tempo.
Across Eats Everything's catalog, tempos have climbed from ~125 to ~130 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Eats Everything’s 40 analysed tracks and every track by 12,460 other artists. 1,901 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
77 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 21 different Eats Everything tracks.
War Rhythm → I Play Every Nite · 7A → 7A · same BPM · 91 chemistry
68 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 16 different Eats Everything tracks.
War Rhythm → You Must See · 7A → 6A · −1 BPM · 91 chemistry
65 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 19 different Eats Everything tracks.
It'll Be Over Soon → Fresh Talent · 7A → 7A · −3 BPM · 88 chemistry
65 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 22 different Eats Everything tracks.
Think About The Revolution → Optomise · 4A → 4A · −1 BPM · 92 chemistry
61 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 19 different Eats Everything tracks.
Moog For Love → Movin To The Funky · 4A → 3A · same BPM · 89 chemistry
71 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 22 different Eats Everything tracks.
War Rhythm → Buss It · 7A → 6A · same BPM · 90 chemistry
61 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 19 different Eats Everything tracks.
Think About The Revolution → Get In The Game · 4A → 3A · −2 BPM · 88 chemistry
61 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 19 different Eats Everything tracks.
Think About The Revolution → Parachute feat. Émilie Rachel - Extended Mix · 4A → 5A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Eats Everything by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Eats Everything, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Eats Everything's tracks in our catalog range from 98 to 140 BPM, with a median of 130 BPM. Across 50 tracks, the most common range falls in the 130–135 BPM bucket.
Eats Everything's tracks are mostly in minor keys (70% minor across 50 tracks). The most common single key is 7A (D Minor) with 7 tracks.
We scored every transition between Eats Everything's 40 analysed tracks and every track by 12,460 other artists. 1,901 catalogues clear the bar by more than chance would give, and Andre Salmon, Aney F., Ben Murphy are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: War Rhythm into I Play Every Nite, 7A to 7A, 91 chemistry.
Eats Everything sits closest to Patrick Topping, Solardo, Gorgon City in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Eats Everything releases spanning 2012 to 2026, with the most tracks from the 2020s.
