Artist profile
Alan Fitzpatrick is a techno producer and DJ known for driving, peak-time sound design. His work spans the intersection of industrial techno and hypnotic rhythmic frameworks, with releases across various electronic music platforms.
Compare with another artistPlan a set with Alan Fitzpatrick tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Alan Fitzpatrick is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 116 analysed tracks, Alan Fitzpatrick sits within a few points of the Techno (Peak Time / Driving) median on groove and energy.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 66–165 BPM with a median of 128 · predominantly minor keys (67% minor) · most common key: 8A (A Minor) with 11 tracks.
How Alan Fitzpatrick’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Alan Fitzpatrick's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
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We scored every transition between Alan Fitzpatrick’s 40 analysed tracks and every track by 12,460 other artists. 1,439 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
81 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Alan Fitzpatrick tracks.
76 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Alan Fitzpatrick tracks.
Wait a Second (Feat. mc r1bbz) → Project Zeus · 11A → 11A · +2 BPM · 93 chemistry
85 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 22 different Alan Fitzpatrick tracks.
Liberation → Voyager · 2A → 3A · +1 BPM · 90 chemistry
83 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 16 different Alan Fitzpatrick tracks.
Wait a Second (Feat. mc r1bbz) → Solution · 11A → 10B · +1 BPM · 91 chemistry
73 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 24 different Alan Fitzpatrick tracks.
Always Something For Nothing → I Believe · 9A → 9A · −1 BPM · 93 chemistry
83 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 18 different Alan Fitzpatrick tracks.
Wait a Second (Feat. mc r1bbz) → Penetrator · 11A → 12A · −1 BPM · 92 chemistry
93 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 20 different Alan Fitzpatrick tracks.
84 of the 1,480 transitions between these catalogues reach 80 chemistry. Chance would give 8.5. They come from 24 different Alan Fitzpatrick tracks.
Wait a Second (Feat. mc r1bbz) → Canvas · 11A → 12A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Alan Fitzpatrick by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Alan Fitzpatrick, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Alan Fitzpatrick's tracks in our catalog range from 66 to 165 BPM, with a median of 128 BPM. Across 116 tracks, the most common range falls in the 130–135 BPM bucket.
Alan Fitzpatrick's tracks are mostly in minor keys (67% minor across 116 tracks). The most common single key is 8A (A Minor) with 11 tracks.
We scored every transition between Alan Fitzpatrick's 40 analysed tracks and every track by 12,460 other artists. 1,439 catalogues clear the bar by more than chance would give, and Alberto Ruiz, Dense & Pika, Filterheadz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Angstrom into Shadows, 8A to 8A, 93 chemistry.
Alan Fitzpatrick sits closest to Adam Beyer, Pan-Pot, Julian Jeweil in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Alan Fitzpatrick releases spanning 2008 to 2026, with the most tracks from the 2010s.