All 24 Camelot keys, and how the catalog is spread across them

The most common Camelot key in the catalog is 8A (A Minor) — 37,562 tracks, 8.06% of the 466,317 we hold with a detected key. The rarest is 1B (B Major) at 1.65%, 4.9× thinner. Minor keys take 8 of the top ten and 61.0% of everything, and the six busiest keys alone account for 38.3%.

How many tracks are in each key

Every public track we have analysed, grouped by its detected Camelot key. Ranked by size — the wheel is nowhere near evenly loaded.

Public track count and catalog share for each of the 24 Camelot keys
#KeyMusical keyShare of catalogTracks
18AA Minor
8.06%
37,562
26AG Minor
6.51%
30,375
37AD Minor
6.13%
28,586
44AF Minor
6.02%
28,071
59AE Minor
5.96%
27,814
65AC Minor
5.66%
26,384
77BF Major
5.27%
24,554
89BG Major
4.65%
21,685
911AF# Minor
4.23%
19,711
102AEb Minor
4.20%
19,590
1110BD Major
4.14%
19,304
1210AB Minor
3.99%
18,601
133ABb Minor
3.92%
18,277
148BC Major
3.78%
17,606
1511BA Major
3.67%
17,110
1612BE Major
3.51%
16,387
171AAb Minor
3.43%
15,973
185BEb Major
3.08%
14,352
1912AC# Minor
2.94%
13,721
202BF# Major
2.61%
12,149
214BAb Major
2.57%
11,966
226BBb Major
2.32%
10,807
233BDb Major
1.72%
8,035
241BB Major
1.65%
7,697

What the skew means in practice: a safe move out of a busy key has thousands of candidates behind it, and the same move out of a thin one has hundreds. If you find yourself short of options, you are usually not short of ideas — you are standing in a corner of the wheel the catalog barely fills. Each key page below has its own genre and tempo breakdown.

Minor Keys (A)

Darker, more introspective — ideal for building tension and atmospheric sets

Major Keys (B)

Brighter, more uplifting — perfect for peak-time energy and euphoric moments

About the Camelot Wheel

The Camelot Wheel is a visual tool that maps musical keys to alphanumeric codes (1A through 12B), making harmonic mixing intuitive. Keys that are adjacent on the wheel — or share the same number with a different letter — are harmonically compatible.

Minor keys (A) tend to sound darker and more atmospheric, while major keys (B) sound brighter and more uplifting. Mixing between A and B at the same number creates a mood shift without harmonic clash.

Plan a harmonically perfect set