All 24 Camelot keys, and how the catalog is spread across them

The most common Camelot key in the catalog is 8A (A Minor) — 36,498 tracks, 8.10% of the 450,410 we hold with a detected key. The rarest is 1B (B Major) at 1.65%, 4.9× thinner. Minor keys take 8 of the top ten and 61.2% of everything, and the six busiest keys alone account for 38.4%.

How many tracks are in each key

Every public track we have analysed, grouped by its detected Camelot key. Ranked by size — the wheel is nowhere near evenly loaded.

Public track count and catalog share for each of the 24 Camelot keys
#KeyMusical keyShare of catalogTracks
18AA Minor
8.10%
36,498
26AG Minor
6.51%
29,334
37AD Minor
6.14%
27,668
44AF Minor
6.02%
27,100
59AE Minor
5.97%
26,886
65AC Minor
5.66%
25,504
77BF Major
5.26%
23,681
89BG Major
4.63%
20,836
911AF# Minor
4.25%
19,123
102AEb Minor
4.21%
18,982
1110BD Major
4.11%
18,530
1210AB Minor
4.00%
18,028
133ABb Minor
3.94%
17,745
148BC Major
3.75%
16,881
1511BA Major
3.67%
16,516
1612BE Major
3.49%
15,697
171AAb Minor
3.43%
15,452
185BEb Major
3.06%
13,802
1912AC# Minor
2.95%
13,274
202BF# Major
2.60%
11,705
214BAb Major
2.57%
11,568
226BBb Major
2.33%
10,476
233BDb Major
1.71%
7,710
241BB Major
1.65%
7,414

What the skew means in practice: a safe move out of a busy key has thousands of candidates behind it, and the same move out of a thin one has hundreds. If you find yourself short of options, you are usually not short of ideas — you are standing in a corner of the wheel the catalog barely fills. Each key page below has its own genre and tempo breakdown.

Minor Keys (A)

Darker, more introspective — ideal for building tension and atmospheric sets

Major Keys (B)

Brighter, more uplifting — perfect for peak-time energy and euphoric moments

About the Camelot Wheel

The Camelot Wheel is a visual tool that maps musical keys to alphanumeric codes (1A through 12B), making harmonic mixing intuitive. Keys that are adjacent on the wheel — or share the same number with a different letter — are harmonically compatible.

Minor keys (A) tend to sound darker and more atmospheric, while major keys (B) sound brighter and more uplifting. Mixing between A and B at the same number creates a mood shift without harmonic clash.

Plan a harmonically perfect set