Artist profile
Sidney Charles is a minimal and deep techno producer known for a prolific output of intricate, stripped-back electronic compositions. His work emphasizes subtle rhythmic development and atmospheric depth within the constraints of minimalist production.
Compare with another artistPlan a set with Sidney Charles tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Sidney Charles is a high-energy with strong groove and drive artist.
Sits right in the typical Minimal / Deep Tech pocket.
Across 151 analysed tracks, Sidney Charles averages 61% energy — harder than 72% of individual Minimal / Deep Tech tracks — and 81% groove, straighter than 57%.
Measured against 22,121 Minimal / Deep Tech tracks on 11 August 2026.
Most tracks sit between 66–136 BPM with a median of 128 · predominantly minor keys (73% minor) · most common key: 4A (F Minor) with 15 tracks.
How Sidney Charles’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Minimal / Deep Tech tempo.
Across Sidney Charles's catalog, tempos have climbed from ~123 to ~130 BPM; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Sidney Charles’s 40 analysed tracks and every track by 12,460 other artists. 2,344 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
133 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Sidney Charles tracks.
128 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Sidney Charles tracks.
137 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Sidney Charles tracks.
Beyond The Horizon → Wild · 6A → 6A · same BPM · 93 chemistry
115 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Sidney Charles tracks.
Beyond The Horizon → Flufly's House · 6A → 6A · +3 BPM · 92 chemistry
128 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Sidney Charles tracks.
Summer In The City → Fascinating · 9B → 8B · same BPM · 91 chemistry
119 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 22 different Sidney Charles tracks.
Snary Business → Flyaa · 6A → 6A · same BPM · 93 chemistry
119 of the 1,320 transitions between these catalogues reach 80 chemistry. Chance would give 7.6. They come from 26 different Sidney Charles tracks.
Rave Fever - Extended Mix → Nice To Be · 11A → 12A · same BPM · 92 chemistry
124 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Sidney Charles tracks.
Beyond The Horizon → Wiretrip · 6A → 6A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Sidney Charles by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Sidney Charles, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Sidney Charles's tracks in our catalog range from 66 to 136 BPM, with a median of 128 BPM. Across 151 tracks, the most common range falls in the 130–135 BPM bucket.
Sidney Charles's tracks are mostly in minor keys (73% minor across 151 tracks). The most common single key is 4A (F Minor) with 15 tracks.
We scored every transition between Sidney Charles's 40 analysed tracks and every track by 12,460 other artists. 2,344 catalogues clear the bar by more than chance would give, and Arkady Antsyrev, Davide Mentesana, Gabriel Evoke are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Palermo into Headroom, 7A to 7A, 92 chemistry.
Sidney Charles sits closest to Robbie Doherty, Max Dean, Marsolo in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Sidney Charles releases spanning 2013 to 2025, with the most tracks from the 2020s.
