Artist profile
Mark Knight is a British tech house producer and DJ known for his work in the minimal and tech house sphere. His productions and DJ sets emphasize driving rhythms and stripped-back electronic textures characteristic of the genre.
Compare with another artistPlan a set with Mark Knight tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Mark Knight is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Tech House pocket.
Across 92 analysed tracks, Mark Knight averages 64% groove — straighter than 77% of individual Tech House tracks — and 64% energy, harder than 61%.
Measured against 25,372 Tech House tracks on 11 August 2026.
Most tracks sit between 65–158 BPM with a median of 124 · predominantly minor keys (73% minor) · most common key: 8A (A Minor) with 9 tracks.
How Mark Knight’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Tech House tempo.
Across Mark Knight's catalog, energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mark Knight’s 40 analysed tracks and every track by 12,460 other artists. 1,921 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
78 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 19 different Mark Knight tracks.
Man With The Red Face - Original Club Mix → Venus · 7B → 8A · same BPM · 92 chemistry
82 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Mark Knight tracks.
You Are A God - Extended Mix → EXCESS · 4A → 3A · +1 BPM · 89 chemistry
80 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Mark Knight tracks.
Your Love - Original Club Mix → REVOLUTION 909 · 2A → 2A · same BPM · 93 chemistry
80 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Mark Knight tracks.
In The Pocket → Revolt - Extended Mix · 1A → 1A · +1 BPM · 92 chemistry
88 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Mark Knight tracks.
Televised - Extended Mix → Supa Sharp - Extended Mix · 6A → 6A · +1 BPM · 93 chemistry
83 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Mark Knight tracks.
Your Love - Original Club Mix → Crawfish · 2A → 2A · −1 BPM · 91 chemistry
81 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 25 different Mark Knight tracks.
I Don't Wanna Come Down - Extended Mix → Wrong - Original Club Mix · 12A → 1A · same BPM · 92 chemistry
84 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Mark Knight tracks.
Move On feat. The Ragga Twins → Deep Down - Extended Mix · 7A → 7A · +1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mark Knight by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mark Knight, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mark Knight's tracks in our catalog range from 65 to 158 BPM, with a median of 124 BPM. Across 92 tracks, the most common range falls in the 125–130 BPM bucket.
Mark Knight's tracks are mostly in minor keys (73% minor across 92 tracks). The most common single key is 8A (A Minor) with 9 tracks.
We scored every transition between Mark Knight's 40 analysed tracks and every track by 12,460 other artists. 1,921 catalogues clear the bar by more than chance would give, and Aney F., Angel Heredia, DONT BLINK are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Man With The Red Face - Original Club Mix into Venus, 7B to 8A, 92 chemistry.
Mark Knight sits closest to Low Steppa, ATFC, David Penn in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Mark Knight releases spanning 2002 to 2026, with the most tracks from the 2010s.
