Artist profile
Philth is a drum and bass producer and DJ known for work within the genre's darker and more technical subgenres. His productions emphasize intricate breakbeats and atmospheric sound design, contributing to the broader drum and bass landscape through both original releases and DJ performances.
Compare with another artistPlan a set with Philth tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Philth is a high-energy artist.
Sits right in the typical Drum & Bass pocket.
Across 40 analysed tracks, Philth averages 65% energy — harder than 62% of individual Drum & Bass tracks.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 65–175 BPM with a median of 87 · predominantly minor keys (73% minor) · most common key: 6A (G Minor) with 6 tracks.
How Philth’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across Philth's catalog, tempos have eased from ~131 to ~96 BPM; production has brightened; groove has deepened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Philth’s 40 analysed tracks and every track by 12,460 other artists. 908 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
309 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different Philth tracks.
294 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 38 different Philth tracks.
The Pineapple Saga → HLM · 7A → 7A · same BPM · 92 chemistry
284 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different Philth tracks.
The Pineapple Saga → Skrewface · 7A → 7A · same BPM · 92 chemistry
301 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different Philth tracks.
The Circle → Africa · 5A → 5A · −1 BPM · 93 chemistry
289 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Philth tracks.
Damaged → Quiet Creep · 4A → 4A · −1 BPM · 93 chemistry
295 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different Philth tracks.
Love's Ghost → Helicopter · 2A → 2A · +1 BPM · 93 chemistry
281 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different Philth tracks.
Pullit → Gateway - Tobax Remix · 4A → 4A · same BPM · 92 chemistry
280 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 37 different Philth tracks.
Clockwork → Mr Robot feat. Aioli · 9A → 9A · −1 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Philth by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Philth, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Philth's tracks in our catalog range from 65 to 175 BPM, with a median of 87 BPM. Across 40 tracks, the most common range falls in the 85–90 BPM bucket.
Philth's tracks are mostly in minor keys (73% minor across 40 tracks). The most common single key is 6A (G Minor) with 6 tracks.
We scored every transition between Philth's 40 analysed tracks and every track by 12,460 other artists. 908 catalogues clear the bar by more than chance would give, and Alibi, Amoss, Amplify are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Clockwork into Middlemen, 9A to 9A, 92 chemistry.
Philth sits closest to Facing Jinx, Ed:It, Ewol in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Philth releases spanning 2013 to 2022, with the most tracks from the 2010s.
