Artist profile
Ed:It is a drum and bass producer and DJ known for work within the genre's electronic landscape. Their output spans the rhythmic and technical dimensions characteristic of the drum and bass sound.
Compare with another artistPlan a set with Ed:It tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Ed:It is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 42 analysed tracks, Ed:It averages 64% energy — harder than 58% of individual Drum & Bass tracks.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 85–175 BPM with a median of 87 · predominantly minor keys (74% minor) · most common key: 4A (F Minor) with 6 tracks.
How Ed:It’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across Ed:It's catalog, production has brightened; tempos have climbed from ~87 to ~94 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Ed:It’s 40 analysed tracks and every track by 12,460 other artists. 925 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
316 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 39 different Ed:It tracks.
Dust Cut → Welcome to the Future · 4A → 4A · +1 BPM · 93 chemistry
301 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 38 different Ed:It tracks.
299 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 38 different Ed:It tracks.
Five Nines → Skrewface · 7A → 7A · same BPM · 93 chemistry
306 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 40 different Ed:It tracks.
Heart Of Fire → Back to the Street · 8A → 8A · same BPM · 92 chemistry
306 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 39 different Ed:It tracks.
Brink (Feat. Lady Soul) → I Don't Need · 2A → 2A · same BPM · 93 chemistry
309 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 39 different Ed:It tracks.
Why don't you → Nightmare · 11A → 11A · same BPM · 92 chemistry
313 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 39 different Ed:It tracks.
Heart Of Fire → Check It · 8A → 9A · −1 BPM · 93 chemistry
334 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 38 different Ed:It tracks.
Five Nines → Weirder · 7A → 7A · +1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Ed:It by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Ed:It, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Ed:It's tracks in our catalog range from 85 to 175 BPM, with a median of 87 BPM. Across 42 tracks, the most common range falls in the 85–90 BPM bucket.
Ed:It's tracks are mostly in minor keys (74% minor across 42 tracks). The most common single key is 4A (F Minor) with 6 tracks.
We scored every transition between Ed:It's 40 analysed tracks and every track by 12,460 other artists. 925 catalogues clear the bar by more than chance would give, and Alibi, Amoss, Amplify are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Dust Cut into Welcome to the Future, 4A to 4A, 93 chemistry.
Ed:It sits closest to Invadhertz, Gerra & Stone, Kyrist in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Ed:It releases spanning 2013 to 2025, with the most tracks from the 2010s.
