Artist profile
DLR is a drum and bass producer and DJ known for work within the genre's electronic landscape. The artist has developed a presence through releases and performances centered on drum and bass production and sound design.
Compare with another artistPlan a set with DLR tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
DLR is a high-energy and a bright production — mostly instrumental artist.
Sits right in the typical Drum & Bass pocket.
Across 68 analysed tracks, DLR averages 38% groove — straighter than 60% of individual Drum & Bass tracks.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 65–150 BPM with a median of 87 · predominantly minor keys (90% minor) · most common key: 2A (E♭ Minor) with 8 tracks.
How DLR’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across DLR's catalog, vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between DLR’s 40 analysed tracks and every track by 12,460 other artists. 931 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
311 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different DLR tracks.
Cyclotron → The Domino Effect · 7B → 7B · same BPM · 93 chemistry
307 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different DLR tracks.
Fake Money → Days Like These · 7A → 7A · −1 BPM · 93 chemistry
329 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 35 different DLR tracks.
Regeneration - Metamorphosis Mix → Box Clever - Skeptical Remix · 5A → 5A · same BPM · 92 chemistry
296 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different DLR tracks.
Glitch In the Stars → Should I · 8A → 8A · same BPM · 93 chemistry
325 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different DLR tracks.
Glitch In the Stars → Powerstream - Wingz Remix · 8A → 8A · +1 BPM · 93 chemistry
337 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different DLR tracks.
Too Far - DLR Remix → Lot Like You · 4A → 4A · same BPM · 93 chemistry
300 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different DLR tracks.
Too Far - DLR Remix → Hack and Slash · 4A → 4A · −1 BPM · 92 chemistry
307 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different DLR tracks.
Regeneration - Metamorphosis Mix → Breathe In · 5A → 5A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to DLR by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around DLR, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
DLR's tracks in our catalog range from 65 to 150 BPM, with a median of 87 BPM. Across 68 tracks, the most common range falls in the 85–90 BPM bucket.
DLR's tracks are mostly in minor keys (90% minor across 68 tracks). The most common single key is 2A (E♭ Minor) with 8 tracks.
We scored every transition between DLR's 40 analysed tracks and every track by 12,460 other artists. 931 catalogues clear the bar by more than chance would give, and Amoss, Bcee, Break are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Cyclotron into The Domino Effect, 7B to 7B, 93 chemistry.
DLR sits closest to The Sauce, Hyroglifics, Black Barrel in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has DLR releases spanning 2010 to 2025, with the most tracks from the 2010s.
