Artist profile
Drum & Bass producer and DJ.
Compare with another artistPlan a set with Gerra & Stone tracks scored against the rest of the catalog
Gerra & Stone is a moderate-energy and a bright production — mostly instrumental artist.
Sits right in the typical Drum & Bass pocket.
Across 21 analysed tracks, Gerra & Stone averages 59% energy — gentler than 60% of individual Drum & Bass tracks — and 40% groove, straighter than 56%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Gerra & Stone’s 21 analysed tracks and every track by 12,460 other artists. 775 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
148 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 19 different Gerra & Stone tracks.
System → In the Shadows · 9A → 9A · +1 BPM · 92 chemistry
144 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 19 different Gerra & Stone tracks.
Release My Soul → Unspoken - Black Barrel Remix · 11A → 11A · −1 BPM · 91 chemistry
167 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 18 different Gerra & Stone tracks.
Too Deep → In The Clouds · 12B → 12B · same BPM · 92 chemistry
147 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 18 different Gerra & Stone tracks.
Back Hand - DLR's Dogbite Remix → Get It Up · 5A → 4A · same BPM · 92 chemistry
161 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 21 different Gerra & Stone tracks.
Crimson → The Same Step · 1A → 1A · +1 BPM · 91 chemistry
152 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 18 different Gerra & Stone tracks.
Release My Soul → Speed Racer · 11A → 10B · same BPM · 91 chemistry
150 of the 714 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 18 different Gerra & Stone tracks.
Release My Soul → Big Up Inna Dance · 11A → 11A · same BPM · 93 chemistry
149 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 17 different Gerra & Stone tracks.
Tender Touch → Dice Game · 2A → 2A · +1 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Gerra & Stone by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Gerra & Stone, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Gerra & Stone's tracks in our catalog range from 83 to 129 BPM, with a median of 87 BPM. Across 21 tracks, the most common range falls in the 85–90 BPM bucket.
Gerra & Stone's tracks are mostly in minor keys (62% minor across 21 tracks). The most common single key is 12B (E Major) with 3 tracks.
We scored every transition between Gerra & Stone's 21 analysed tracks and every track by 12,460 other artists. 775 catalogues clear the bar by more than chance would give, and Bcee, Black Barrel, Break are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: System into In the Shadows, 9A to 9A, 92 chemistry.
Gerra & Stone sits closest to Ed:It, Invadhertz, Objectiv in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.