Artist profile
Pan-Pot is a German techno duo known for their driving, peak-time sound rooted in Berlin's electronic music scene. Their work spans peak-hour techno characterized by hypnotic rhythms and industrial textures.
Compare with another artistPlan a set with Pan-Pot tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Pan-Pot is a moderate-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 57 analysed tracks, Pan-Pot averages 78% groove — groovier than 65% of individual Techno (Peak Time / Driving) tracks — and 58% energy, gentler than 59%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 68–144 BPM with a median of 128 · predominantly minor keys (51% minor) · most common key: 9B (G Major) with 6 tracks.
How Pan-Pot’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Pan-Pot's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
![Confronted - [ Wex 10 ] Bigroom Remix album art](https://i.scdn.co/image/ab67616d0000b2735401c23ae1a704f045123e71)
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Pan-Pot’s 40 analysed tracks and every track by 12,460 other artists. 1,926 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
139 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Pan-Pot tracks.
Win Some → Peafowling · 11B → 10B · same BPM · 92 chemistry
120 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Pan-Pot tracks.
121 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Pan-Pot tracks.
Lose Yourself - Marcel Fengler Remix → How I Work · 8B → 9A · −3 BPM · 90 chemistry
155 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Pan-Pot tracks.
Grey Matter → Dreams · 11B → 10B · +3 BPM · 90 chemistry
126 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 28 different Pan-Pot tracks.
Kanal 7 → Continuation · 8A → 8A · same BPM · 91 chemistry
130 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 27 different Pan-Pot tracks.
124 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Pan-Pot tracks.
Win Some → I Need to Know · 11B → 11B · +3 BPM · 93 chemistry
125 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 30 different Pan-Pot tracks.
Grey Matter → Music In Speakers · 11B → 11B · +1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Pan-Pot by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Pan-Pot, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Pan-Pot's tracks in our catalog range from 68 to 144 BPM, with a median of 128 BPM. Across 57 tracks, the most common range falls in the 130–135 BPM bucket.
Pan-Pot's tracks are mostly in minor keys (51% minor across 57 tracks). The most common single key is 9B (G Major) with 6 tracks.
We scored every transition between Pan-Pot's 40 analysed tracks and every track by 12,460 other artists. 1,926 catalogues clear the bar by more than chance would give, and Cari Lekebusch, Daniel Sbert, Drunken Kong are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Win Some into Peafowling, 11B to 10B, 92 chemistry.
Pan-Pot sits closest to Harvey McKay, Johannes Heil, Oliver Huntemann in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Pan-Pot releases spanning 2005 to 2024, with the most tracks from the 2010s.
