Artist profile
Drunken Kong is a techno producer working in peak-time and driving styles. His work is characterized by propulsive rhythms and stripped-back production typical of contemporary techno.
Compare with another artistPlan a set with Drunken Kong tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Drunken Kong is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 83 analysed tracks, Drunken Kong sits within a few points of the Techno (Peak Time / Driving) median on energy and groove.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 71–142 BPM with a median of 131 · predominantly major keys (46% minor) · most common key: 9B (G Major) with 8 tracks.
How Drunken Kong’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across Drunken Kong's catalog, tempos have climbed from ~117 to ~132 BPM; groove has deepened.
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We scored every transition between Drunken Kong’s 40 analysed tracks and every track by 12,460 other artists. 1,592 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
146 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Drunken Kong tracks.
Rhythm Motion → Mind Dive · 8A → 7B · −1 BPM · 91 chemistry
124 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Drunken Kong tracks.
How I Work → Critical Situation · 9A → 8B · +1 BPM · 92 chemistry
137 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Drunken Kong tracks.
Mission - Mark Reeve Remix → A Little More · 5B → 5B · +2 BPM · 88 chemistry
123 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 25 different Drunken Kong tracks.
139 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 31 different Drunken Kong tracks.
Hypnosis → Introsuspect · 9B → 9B · +3 BPM · 93 chemistry
125 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Drunken Kong tracks.
Dance All Night → Tormenta · 11B → 11B · −1 BPM · 93 chemistry
142 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 23 different Drunken Kong tracks.
Strange Feeling → Changa · 12B → 12B · +1 BPM · 93 chemistry
132 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 26 different Drunken Kong tracks.
To The Beat → When the Lights Go Down · 8B → 8B · −2 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Drunken Kong by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Drunken Kong, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Drunken Kong's tracks in our catalog range from 71 to 142 BPM, with a median of 131 BPM. Across 83 tracks, the most common range falls in the 130–135 BPM bucket.
Drunken Kong's tracks are mostly in major keys (46% minor across 83 tracks). The most common single key is 9B (G Major) with 8 tracks.
We scored every transition between Drunken Kong's 40 analysed tracks and every track by 12,460 other artists. 1,592 catalogues clear the bar by more than chance would give, and Cari Lekebusch, Daniel Sbert, Lampe are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Rhythm Motion into Mind Dive, 8A to 7B, 91 chemistry.
Drunken Kong sits closest to F-Rontal, Juliet Fox, Clap Codex in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Drunken Kong releases spanning 2015 to 2025, with the most tracks from the 2020s.