Artist profile
Kaiju is a bass and club music producer working within electronic and dance music frameworks. The project focuses on heavy, rhythmic production oriented toward dancefloor contexts.
Compare with another artistPlan a set with Kaiju tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Kaiju is a high-energy — mostly instrumental artist.
Unusually low warmth for Bass / Club.
Across 8 analysed tracks, Kaiju averages 61% energy — harder than 82% of individual Bass / Club tracks.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
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We scored every transition between Kaiju’s 8 analysed tracks and every track by 12,460 other artists. 27 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
21 of the 304 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 5 different Kaiju tracks.
Wils Fault → New Style (GREAZUS Remix Instrumental) · 11B → 10A · same BPM · 81 chemistry
16 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Kaiju tracks.
Creeper → Gutter Riddim · 11B → 12B · same BPM · 86 chemistry
15 of the 240 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 6 different Kaiju tracks.
16 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 6 different Kaiju tracks.
Wils Fault → Vortex · 11B → 12A · −4 BPM · 88 chemistry
18 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Kaiju tracks.
19 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Kaiju tracks.
Creeper → Battlefield · 11B → 12A · same BPM · 88 chemistry
23 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Kaiju tracks.
Fear No One → Smoke Em Out · 7B → 8A · same BPM · 89 chemistry
18 of the 184 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 6 different Kaiju tracks.
Fear No One → Obstacles · 7B → 7B · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Kaiju by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Kaiju, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Kaiju's tracks in our catalog range from 70 to 140 BPM, with a median of 121 BPM. Across 8 tracks, the most common range falls in the 120–125 BPM bucket.
Kaiju's tracks are mostly in minor keys (50% minor across 8 tracks). The most common single key is 7B (F Major) with 2 tracks.
We scored every transition between Kaiju's 8 analysed tracks and every track by 12,460 other artists. 27 catalogues clear the bar by more than chance would give, and Abstrakt Sonance, Caspa, Distinct Motive are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Wils Fault into New Style (GREAZUS Remix Instrumental), 11B to 10A, 81 chemistry.
Kaiju sits closest to Egoless, Kahn, J:Kenzo in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Kaiju releases spanning 2015 to 2020, with the most tracks from the 2010s.
