Artist profile
Skream is a UK bass and breakbeat producer known for his work in the dubstep and grime scenes. His productions span instrumental breaks and vocal collaborations across labels and underground releases. He remains active in electronic music production and DJ culture.
Compare with another artistPlan a set with Skream tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Skream is a moderate-energy artist.
Sits right in the typical 140 / Deep Dubstep / Grime pocket.
Across 60 analysed tracks, Skream averages 55% groove — groovier than 84% of individual 140 / Deep Dubstep / Grime tracks — and 58% energy, harder than 58%.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
Most tracks sit between 70–172 BPM with a median of 135 · predominantly minor keys (63% minor) · most common key: 4A (F Minor) with 10 tracks.
How Skream’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical 140 / Deep Dubstep / Grime tempo.
Across Skream's catalog, production has brightened; groove has deepened; vocal content has increased.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Skream’s 40 analysed tracks and every track by 12,460 other artists. 372 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
22 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 9 different Skream tracks.
The Shinein → Wrath of God · 11B → 12A · same BPM · 89 chemistry
26 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 7 different Skream tracks.
19 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 7 different Skream tracks.
Simple City → Stunning · 4A → 5A · same BPM · 85 chemistry
23 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 9 different Skream tracks.
The Shinein → Looking Out - SBK. Remix · 11B → 12B · same BPM · 86 chemistry
18 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 9 different Skream tracks.
Midnight Request Line → Spent · 5A → 5A · same BPM · 87 chemistry
24 of the 1,040 transitions between these catalogues reach 80 chemistry. Chance would give 6.0. They come from 9 different Skream tracks.
The Shinein → Cup of Piece · 11B → 12B · same BPM · 90 chemistry
32 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 12 different Skream tracks.
24 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 6 different Skream tracks.
Bass Tool - Extended Mix → DA RHYTHM! · 12A → 1A · −2 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Skream by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Skream, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Skream's tracks in our catalog range from 70 to 172 BPM, with a median of 135 BPM. Across 60 tracks, the most common range falls in the 135–140 BPM bucket.
Skream's tracks are mostly in minor keys (63% minor across 60 tracks). The most common single key is 4A (F Minor) with 10 tracks.
We scored every transition between Skream's 40 analysed tracks and every track by 12,460 other artists. 372 catalogues clear the bar by more than chance would give, and Chad Dubz, Jean Pierre, Leo Cap are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The Shinein into Wrath of God, 11B to 12A, 89 chemistry.
Skream sits closest to Benga, Loefah, D1 in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Skream releases spanning 2005 to 2025, with the most tracks from the 2020s.
