Artist profile
Ternion Sound is a bass and club music producer working within the UK underground electronic landscape. Their output spans deep techno, drum and bass, and experimental bass forms, with releases characterized by intricate sound design and rhythmic complexity.
Compare with another artistPlan a set with Ternion Sound tracks scored against the rest of the catalog
Ternion Sound is a high-energy — mostly instrumental artist.
Sits right in the typical 140 / Deep Dubstep / Grime pocket.
Across 43 analysed tracks, Ternion Sound averages 61% energy — harder than 67% of individual 140 / Deep Dubstep / Grime tracks.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
Most tracks sit between 69–140 BPM with a median of 140 · predominantly minor keys (74% minor) · most common key: 1A (A♭ Minor) with 6 tracks.
How Ternion Sound’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical 140 / Deep Dubstep / Grime tempo.
Across Ternion Sound's catalog, tempos have climbed from ~105 to ~138 BPM; drive has intensified; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Ternion Sound’s 40 analysed tracks and every track by 12,460 other artists. 373 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
94 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 26 different Ternion Sound tracks.
Forest Temple → Feel Myself Again · 6A → 6A · same BPM · 90 chemistry
70 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 24 different Ternion Sound tracks.
Forest Temple → Sacred Order Of Pi · 6A → 5B · same BPM · 91 chemistry
70 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 19 different Ternion Sound tracks.
Forest Temple → Blatent Reep · 6A → 7A · same BPM · 90 chemistry
62 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 25 different Ternion Sound tracks.
Up Up - VIP → Parade · 1A → 12B · same BPM · 90 chemistry
73 of the 1,040 transitions between these catalogues reach 80 chemistry. Chance would give 6.0. They come from 22 different Ternion Sound tracks.
422 → Essex Ravers · 7A → 7A · same BPM · 90 chemistry
62 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 24 different Ternion Sound tracks.
Ah Fer Fuck → Sweets · 3A → 3A · same BPM · 93 chemistry
67 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Ternion Sound tracks.
Hallowed → Shadow Samurai · 8A → 7B · same BPM · 91 chemistry
61 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 21 different Ternion Sound tracks.
Monsterpiece → Hunedoara · 6B → 7B · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Ternion Sound by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Ternion Sound, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Ternion Sound's tracks in our catalog range from 69 to 140 BPM, with a median of 140 BPM. Across 43 tracks, the most common range falls in the 140–145 BPM bucket.
Ternion Sound's tracks are mostly in minor keys (74% minor across 43 tracks). The most common single key is 1A (A♭ Minor) with 6 tracks.
We scored every transition between Ternion Sound's 40 analysed tracks and every track by 12,460 other artists. 373 catalogues clear the bar by more than chance would give, and Abstrakt Sonance, An-ten-nae, Juiceman are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Forest Temple into Feel Myself Again, 6A to 6A, 90 chemistry.
Ternion Sound sits closest to ENiGMA Dubz, Visages, Culprate in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Ternion Sound releases spanning 2018 to 2024, with the most tracks from the 2020s.