Artist profile
Bass / Club producer and DJ.
Compare with another artistPlan a set with Kahn tracks scored against the rest of the catalog
Kahn is a moderate-energy — mostly instrumental artist.
Sits right in the typical Bass / Club pocket.
Across 13 analysed tracks, Kahn averages 39% groove — straighter than 61% of individual Bass / Club tracks.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Kahn’s 13 analysed tracks and every track by 12,460 other artists. 63 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
29 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Kahn tracks.
Crossing the Line (feat. Killa's Army) → Tokyo Hyaku Synchronicity #76 Night Visitors · 2B → 3A · −2 BPM · 88 chemistry
23 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Kahn tracks.
Crossing the Line (feat. Killa's Army) → Out of My Mind - Mystic State Remix · 2B → 1A · −2 BPM · 88 chemistry
20 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 10 different Kahn tracks.
Crossing the Line (feat. Killa's Army) → Higher Calibre · 2B → 3A · −2 BPM · 86 chemistry
18 of the 507 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 7 different Kahn tracks.
Crossing the Line (feat. Killa's Army) → Vanquisher · 2B → 2B · same BPM · 92 chemistry
24 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 8 different Kahn tracks.
18 of the 299 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 8 different Kahn tracks.
20 of the 338 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 8 different Kahn tracks.
(Having A Sick Time) In The Mansions Of Bliss → Nougat 94 · 7B → 7A · +2 BPM · 90 chemistry
22 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Kahn tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Kahn by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Kahn, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Kahn's tracks in our catalog range from 67 to 142 BPM, with a median of 106 BPM. Across 13 tracks, the most common range falls in the 105–110 BPM bucket.
Kahn's tracks are mostly in major keys (31% minor across 13 tracks). The most common single key is 9B (G Major) with 3 tracks.
We scored every transition between Kahn's 13 analysed tracks and every track by 12,460 other artists. 63 catalogues clear the bar by more than chance would give, and Cam Lasky, ENiGMA Dubz, Hypho are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Crossing the Line (feat. Killa's Army) into Tokyo Hyaku Synchronicity #76 Night Visitors, 2B to 3A, 88 chemistry.
Kahn sits closest to Egoless, Commodo, Loefah in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Kahn releases spanning 2012 to 2015, with the most tracks from the 2010s.