Artist profile
JES is a trance producer and DJ known for work in progressive and uplifting trance styles. Her productions emphasize melodic elements and atmospheric soundscapes characteristic of the main floor trance sound.
Compare with another artistPlan a set with JES tracks scored against the rest of the catalog
JES is a high-energy and a balanced bright/warm production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 38 analysed tracks, JES averages 59% groove — straighter than 57% of individual Trance (Main Floor) tracks.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 124–145 BPM with a median of 131 · predominantly minor keys (79% minor) · most common key: 8A (A Minor) with 7 tracks.
How JES’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
JES's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between JES’s 38 analysed tracks and every track by 12,460 other artists. 728 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
103 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 29 different JES tracks.
Let It All Come Down - Allen Watts Extended Remix → Halcyon - Alex M.O.R.P.H. Remix · 9A → 9A · same BPM · 92 chemistry
89 of the 912 transitions between these catalogues reach 80 chemistry. Chance would give 5.2. They come from 26 different JES tracks.
Just Believe - Darude Extended Remix → Love Is Your Home · 8A → 8A · +2 BPM · 92 chemistry
97 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 24 different JES tracks.
Let It All Come Down - Allen Watts Extended Remix → Who I Await - Extended Mix · 9A → 9A · same BPM · 93 chemistry
109 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 28 different JES tracks.
We'll Be Together - C-Systems Extended Remix → Dream Machine - Extended Mix · 5A → 5A · same BPM · 92 chemistry
101 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 29 different JES tracks.
Two Souls → Over The Moon - Extended Mix · 4A → 4A · same BPM · 93 chemistry
96 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 24 different JES tracks.
Just Believe - Darude Extended Remix → Millions · 8A → 8A · same BPM · 91 chemistry
101 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 28 different JES tracks.
We'll Be Together - C-Systems Extended Remix → The Expedition (A State Of Trance 600 Anthem) · 5A → 4A · −3 BPM · 90 chemistry
98 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 27 different JES tracks.
Wish You Were Here - Robert Nickson Extended Remix → Neon Tree - Extended Mix · 6B → 6B · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to JES by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around JES, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
JES's tracks in our catalog range from 124 to 145 BPM, with a median of 131 BPM. Across 38 tracks, the most common range falls in the 130–135 BPM bucket.
JES's tracks are mostly in minor keys (79% minor across 38 tracks). The most common single key is 8A (A Minor) with 7 tracks.
We scored every transition between JES's 38 analysed tracks and every track by 12,460 other artists. 728 catalogues clear the bar by more than chance would give, and Andy Moor, Beat Service, DJ T.H. are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Let It All Come Down - Allen Watts Extended Remix into Halcyon - Alex M.O.R.P.H. Remix, 9A to 9A, 92 chemistry.
JES sits closest to Ronski Speed, Christina Novelli, Andain in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has JES releases spanning 2007 to 2025, with the most tracks from the 2020s.