Artist profile
Markus Schulz is a German trance producer and DJ known for his work in progressive and uplifting trance. He has released music across multiple labels and built a following through both studio production and live performances at major electronic music festivals and clubs.
Compare with another artistPlan a set with Markus Schulz tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Markus Schulz is a high-energy and a bright production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 124 analysed tracks, Markus Schulz averages 59% groove — straighter than 56% of individual Trance (Main Floor) tracks.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 65–147 BPM with a median of 130 · predominantly minor keys (61% minor) · most common key: 8A (A Minor) with 19 tracks.
How Markus Schulz’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Across Markus Schulz's catalog, production has darkened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Markus Schulz’s 40 analysed tracks and every track by 12,460 other artists. 696 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
126 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 31 different Markus Schulz tracks.
Lost in the Box [London] → Outsider · 6A → 6A · +1 BPM · 92 chemistry
139 of the 1,320 transitions between these catalogues reach 80 chemistry. Chance would give 7.6. They come from 34 different Markus Schulz tracks.
Tidal Wave - Daxson Extended Remix → Lose Yourself - Extended Mix · 8A → 8A · +1 BPM · 91 chemistry
115 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Markus Schulz tracks.
Perception feat. Justine Suissa - Johan Gielen Extended Remix → Cloudwalker · 8A → 8A · same BPM · 92 chemistry
130 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 35 different Markus Schulz tracks.
Perception feat. Justine Suissa - Johan Gielen Extended Remix → Way Home - Extended Mix · 8A → 8A · +2 BPM · 90 chemistry
113 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Markus Schulz tracks.
The Expedition (A State Of Trance 600 Anthem) → Trust You feat. NBLM - Extended Mix · 4A → 5A · −1 BPM · 91 chemistry
118 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Markus Schulz tracks.
Nothing Without Me - Extended Mix → Lover In The Dark - Bjorn Akesson Remix · 8A → 9A · same BPM · 90 chemistry
135 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Markus Schulz tracks.
Tidal Wave - Daxson Extended Remix → Lasting Light - 2K14 Club Mix · 8A → 8A · −2 BPM · 90 chemistry
122 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Markus Schulz tracks.
Blown Away feat. Liz Primo - Beat Service Remix → Burn feat. Hero Baldwin - Luke Bond Extended Remix · 12A → 12A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Markus Schulz by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Markus Schulz, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Markus Schulz's tracks in our catalog range from 65 to 147 BPM, with a median of 130 BPM. Across 124 tracks, the most common range falls in the 130–135 BPM bucket.
Markus Schulz's tracks are mostly in minor keys (61% minor across 124 tracks). The most common single key is 8A (A Minor) with 19 tracks.
We scored every transition between Markus Schulz's 40 analysed tracks and every track by 12,460 other artists. 696 catalogues clear the bar by more than chance would give, and Beat Service, Dan Thompson, Driftmoon are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Lost in the Box [London] into Outsider, 6A to 6A, 92 chemistry.
Markus Schulz sits closest to Richard Durand, Stoneface & Terminal, Roger Shah in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Markus Schulz releases spanning 2004 to 2026, with the most tracks from the 2010s.