Artist profile
Driftmoon is a trance producer working in the main floor sound. The project is characterized by expansive, hypnotic arrangements built on layered synths and driving rhythmic foundations typical of the genre.
Compare with another artistPlan a set with Driftmoon tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Driftmoon is a high-energy and a bright production — mostly instrumental artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 52 analysed tracks, Driftmoon averages 59% groove — straighter than 57% of individual Trance (Main Floor) tracks.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 67–156 BPM with a median of 137 · predominantly minor keys (77% minor) · most common key: 8A (A Minor) with 7 tracks.
How Driftmoon’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Across Driftmoon's catalog, tempos have climbed from ~126 to ~137 BPM; groove has deepened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Driftmoon’s 40 analysed tracks and every track by 12,460 other artists. 755 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
131 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different Driftmoon tracks.
Howl At the Moon - Solarstone Retouch → Free Fall feat. Monika Santucci - Extended Mix · 8A → 8A · −4 BPM · 92 chemistry
134 of the 1,320 transitions between these catalogues reach 80 chemistry. Chance would give 7.6. They come from 34 different Driftmoon tracks.
Addicted to Love - Extended Mix → Lose Yourself - Extended Mix · 8A → 8A · −2 BPM · 92 chemistry
145 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Driftmoon tracks.
Grindstone feat. Eller - Original Extended Guitar Mix → Good Morning · 5A → 4B · same BPM · 93 chemistry
132 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Driftmoon tracks.
Cloudstream - Extended Mix → Uncharted - Extended Mix · 10A → 10A · same BPM · 93 chemistry
125 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Driftmoon tracks.
Space Traveller (Hypersia Radio Show 156) → Are You Fine - 20 Years Remake · 1A → 1A · same BPM · 92 chemistry
132 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Driftmoon tracks.
Howl At the Moon - Solarstone Retouch → Colourways - Outer Pulse Remix · 8A → 8A · same BPM · 92 chemistry
146 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 32 different Driftmoon tracks.
Cloudstream - Extended Mix → Space Emotions - Extended Mix · 10A → 10A · same BPM · 93 chemistry
184 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Driftmoon tracks.
Please Don't Go - Suncatcher Extended Remix → Set Me To Light - Daniel Kandi Extended Remix · 10A → 10A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Driftmoon by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Driftmoon, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Driftmoon's tracks in our catalog range from 67 to 156 BPM, with a median of 137 BPM. Across 52 tracks, the most common range falls in the 135–140 BPM bucket.
Driftmoon's tracks are mostly in minor keys (77% minor across 52 tracks). The most common single key is 8A (A Minor) with 7 tracks.
We scored every transition between Driftmoon's 40 analysed tracks and every track by 12,460 other artists. 755 catalogues clear the bar by more than chance would give, and Andy Moor, Dan Thompson, Eximinds are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Howl At the Moon - Solarstone Retouch into Free Fall feat. Monika Santucci - Extended Mix, 8A to 8A, 92 chemistry.
Driftmoon sits closest to Factor B, Beatsole, John O'Callaghan in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Driftmoon releases spanning 2013 to 2025, with the most tracks from the 2010s.
