Artist profile
Dirtyphonics is a dubstep producer and DJ known for heavy, bass-driven sound design and dynamic live performances. The artist has established a presence within the dubstep and bass music communities through original productions and remix work.
Compare with another artistPlan a set with Dirtyphonics tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Dirtyphonics is a high-energy and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 39 analysed tracks, Dirtyphonics averages 66% energy — harder than 56% of individual Dubstep tracks.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Most tracks sit between 75–175 BPM with a median of 126 · predominantly major keys (38% minor) · most common key: 7B (F Major) with 15 tracks.
How Dirtyphonics’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dubstep tempo.
Across Dirtyphonics's catalog, tempos have eased from ~112 to ~104 BPM; vocal content has increased.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Dirtyphonics’s 39 analysed tracks and every track by 12,460 other artists. 996 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
139 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 12 different Dirtyphonics tracks.
Walk in the Fire → Dead Stock · 7B → 7B · −1 BPM · 92 chemistry
133 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 19 different Dirtyphonics tracks.
Walk in the Fire → Push It Up Selecta · 7B → 7B · −1 BPM · 93 chemistry
136 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 13 different Dirtyphonics tracks.
Power Now (feat. Matt Rose) → Spike · 9A → 9A · same BPM · 93 chemistry
156 of the 1,521 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 13 different Dirtyphonics tracks.
132 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 13 different Dirtyphonics tracks.
You Want Me - VIP → Gasp For Breath · 7B → 7B · same BPM · 91 chemistry
140 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 13 different Dirtyphonics tracks.
Walk in the Fire → Saturnian Reflection · 7B → 7B · −1 BPM · 91 chemistry
137 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 13 different Dirtyphonics tracks.
Walk in the Fire → Been About This · 7B → 7B · −1 BPM · 91 chemistry
133 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 12 different Dirtyphonics tracks.
Gumraah → Don't Look Back · 5B → 5B · −1 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dirtyphonics by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dirtyphonics, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dirtyphonics's tracks in our catalog range from 75 to 175 BPM, with a median of 126 BPM. Across 39 tracks, the most common range falls in the 125–130 BPM bucket.
Dirtyphonics's tracks are mostly in major keys (38% minor across 39 tracks). The most common single key is 7B (F Major) with 15 tracks.
We scored every transition between Dirtyphonics's 39 analysed tracks and every track by 12,460 other artists. 996 catalogues clear the bar by more than chance would give, and Audio, Drumsound & Bassline Smith, Fourward are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Walk in the Fire into Dead Stock, 7B to 7B, 92 chemistry.
Dirtyphonics sits closest to Hayve, Muzz, ShockOne in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Dirtyphonics releases spanning 2009 to 2026, with the most tracks from the 2010s.
