Artist profile
Audio is a drum and bass producer and DJ known for work within the genre's technical and atmospheric dimensions. The artist has built a substantial discography across the drum and bass landscape, contributing to the genre's ongoing development through production and performance.
Compare with another artistPlan a set with Audio tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Audio is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 66 analysed tracks, Audio averages 71% energy — harder than 79% of individual Drum & Bass tracks — and 35% groove, straighter than 68%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
How Audio’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Audio's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Audio’s 40 analysed tracks and every track by 12,460 other artists. 918 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
329 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different Audio tracks.
Dead Stock → Chant - Extended Mix · 7B → 7B · same BPM · 93 chemistry
327 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 35 different Audio tracks.
Tractor Beam → Belly Of The Beast · 6A → 6A · −1 BPM · 93 chemistry
324 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 38 different Audio tracks.
Dead Stock → Creatures · 7B → 7B · −1 BPM · 92 chemistry
345 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 35 different Audio tracks.
331 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different Audio tracks.
Jibba Jabba - Agressor Bunx Remix → Alive · 9A → 9A · same BPM · 93 chemistry
347 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different Audio tracks.
Flip Mode - Prolix Remix → Return of the Snitch · 10A → 10A · +1 BPM · 93 chemistry
351 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 38 different Audio tracks.
Kimura → Mosh Pit - MNDSCP Remix · 7B → 7B · same BPM · 93 chemistry
333 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different Audio tracks.
Combust → Nationwide Rocker · 4A → 4A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Audio by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Audio, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Audio's tracks in our catalog range from 86 to 161 BPM, with a median of 87 BPM. Across 66 tracks, the most common range falls in the 85–90 BPM bucket.
Audio's tracks are mostly in minor keys (64% minor across 66 tracks). The most common single key is 7B (F Major) with 13 tracks.
We scored every transition between Audio's 40 analysed tracks and every track by 12,460 other artists. 918 catalogues clear the bar by more than chance would give, and 1991, Fourward, L 33 are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Dead Stock into Chant - Extended Mix, 7B to 7B, 93 chemistry.
Audio sits closest to Prolix, Agressor Bunx, Black Sun Empire in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Audio releases spanning 1990 to 2026, with the most tracks from the 2010s.
