Artist profile
Alexander Popov is a trance producer and DJ known for his work in main floor trance. His productions are characterized by driving rhythms and layered synthesizer work typical of the genre.
Compare with another artistPlan a set with Alexander Popov tracks scored against the rest of the catalog
Alexander Popov is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 68 analysed tracks, Alexander Popov sits within a few points of the Trance (Main Floor) median on energy and groove.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 65–140 BPM with a median of 130 · predominantly minor keys (71% minor) · most common key: 4A (F Minor) with 8 tracks.
How Alexander Popov’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Across Alexander Popov's catalog, tempos have climbed from ~122 to ~138 BPM; groove has deepened; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Alexander Popov’s 40 analysed tracks and every track by 12,460 other artists. 951 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
101 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 26 different Alexander Popov tracks.
Mimesis → Undercover · 6A → 6A · +1 BPM · 91 chemistry
88 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 30 different Alexander Popov tracks.
96 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Alexander Popov tracks.
Constancy - Extended Mix → Ambivalence - Extended Mix · 12A → 12A · same BPM · 91 chemistry
100 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Alexander Popov tracks.
Nothing Is Over - Roman Messer Extended Remix → Way Home - Extended Mix · 8A → 8A · same BPM · 91 chemistry
102 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Alexander Popov tracks.
Steal You Away feat. Jonathan Mendelsohn - Giuseppe Ottaviani Remix → What Will Go · 2B → 3B · same BPM · 89 chemistry
110 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Alexander Popov tracks.
Spacewalk - Extended Mix → Unbreakable Mirror - Extended Mix · 4A → 4A · −2 BPM · 93 chemistry
91 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Alexander Popov tracks.
KAIF - Extended Mix → Destiny feat. Delacey - Kyau & Albert Remix · 3A → 2A · +1 BPM · 89 chemistry
90 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Alexander Popov tracks.
Siberia → When You're Gone - Extended Mix · 9B → 9B · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Alexander Popov by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Alexander Popov, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Alexander Popov's tracks in our catalog range from 65 to 140 BPM, with a median of 130 BPM. Across 68 tracks, the most common range falls in the 130–135 BPM bucket.
Alexander Popov's tracks are mostly in minor keys (71% minor across 68 tracks). The most common single key is 4A (F Minor) with 8 tracks.
We scored every transition between Alexander Popov's 40 analysed tracks and every track by 12,460 other artists. 951 catalogues clear the bar by more than chance would give, and Beat Service, David Gravell, DJ T.H. are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Mimesis into Undercover, 6A to 6A, 91 chemistry.
Alexander Popov sits closest to Ruslan Radriges, Michael Milov, Roman Messer in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Alexander Popov releases spanning 2012 to 2026, with the most tracks from the 2010s.