Artist profile
Mark Sixma is a Dutch trance producer and DJ known for his work in progressive and uplifting trance. His productions blend melodic elements with driving rhythms, contributing to the broader trance landscape through both original releases and remix work.
Compare with another artistPlan a set with Mark Sixma tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Mark Sixma is a high-energy with strong drive and a bright production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 50 analysed tracks, Mark Sixma averages 49% groove — straighter than 69% of individual Trance (Main Floor) tracks — and 70% energy, harder than 58%.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 122–162 BPM with a median of 130 · predominantly minor keys (52% minor) · most common key: 9A (E Minor) with 6 tracks.
How Mark Sixma’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Across Mark Sixma's catalog, production has darkened; vocal content has increased; tempos have climbed from ~132 to ~136 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mark Sixma’s 40 analysed tracks and every track by 12,460 other artists. 697 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
62 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Mark Sixma tracks.
Revolt - Extended Mix → I Think I May - Extended Mix · 12B → 12B · −4 BPM · 90 chemistry
69 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Mark Sixma tracks.
Adagio For Strings → Spacewalk - Extended Mix · 3A → 4A · same BPM · 92 chemistry
63 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Mark Sixma tracks.
Invincible - Extended Mix → Lifeline - Fisherman Extended Remix · 1B → 2A · +1 BPM · 90 chemistry
60 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 14 different Mark Sixma tracks.
64 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 18 different Mark Sixma tracks.
Destiny - Extended Mix → Baroque - Extended Mix · 1A → 1A · −2 BPM · 92 chemistry
67 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 21 different Mark Sixma tracks.
Restless Hearts - Club Mix → I Feel Love - John Grand Extended Remix · 3A → 3A · −2 BPM · 90 chemistry
63 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Mark Sixma tracks.
Cupid's Casualty feat. Amba Shepherd → Toxic 4 Me - Extended Mix · 6A → 6A · −1 BPM · 91 chemistry
63 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 20 different Mark Sixma tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mark Sixma by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mark Sixma, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mark Sixma's tracks in our catalog range from 122 to 162 BPM, with a median of 130 BPM. Across 50 tracks, the most common range falls in the 130–135 BPM bucket.
Mark Sixma's tracks are mostly in minor keys (52% minor across 50 tracks). The most common single key is 9A (E Minor) with 6 tracks.
We scored every transition between Mark Sixma's 40 analysed tracks and every track by 12,460 other artists. 697 catalogues clear the bar by more than chance would give, and Ahmed Helmy, Alexander Popov, Andrew Rayel are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Revolt - Extended Mix into I Think I May - Extended Mix, 12B to 12B, 90 chemistry.
Mark Sixma sits closest to Orjan Nilsen, Ben Gold, Jorn Van Deynhoven in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Mark Sixma releases spanning 2013 to 2024, with the most tracks from the 2010s.
