Artist profile
Thomas Labermair is an Austrian techno producer working in peak-time and driving styles. His work emphasizes rhythmic intensity and dancefloor-focused composition within the broader European techno tradition.
Compare with another artistPlan a set with Thomas Labermair tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Thomas Labermair is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 9 analysed tracks, Thomas Labermair averages 84% energy — harder than 77% of individual Techno (Peak Time / Driving) tracks — and 67% groove, straighter than 57%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
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We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Thomas Labermair’s 9 analysed tracks and every track by 12,460 other artists. 116 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
22 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Thomas Labermair tracks.
Enter the Matrix → Basiel · 11A → 11A · −2 BPM · 87 chemistry
24 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Thomas Labermair tracks.
Daphnis → Trust In Uncertain Times · 9B → 9A · same BPM · 86 chemistry
21 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Thomas Labermair tracks.
Daphnis → Just One Life · 9B → 9B · −4 BPM · 90 chemistry
23 of the 297 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 8 different Thomas Labermair tracks.
Kalypso → Space Shuttles · 8A → 8A · −2 BPM · 90 chemistry
27 of the 261 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 7 different Thomas Labermair tracks.
21 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Thomas Labermair tracks.
Voices In My Head - Bultech Remix → Beyond Gravity · 4B → 3B · same BPM · 89 chemistry
21 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Thomas Labermair tracks.
24 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Thomas Labermair tracks.
Pluto → Singularity - Clap Codex, Sabura Remix · 2B → 3B · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Thomas Labermair by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Thomas Labermair, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Thomas Labermair's tracks in our catalog range from 127 to 136 BPM, with a median of 131 BPM. Across 9 tracks, the most common range falls in the 130–135 BPM bucket.
Thomas Labermair's tracks are mostly in major keys (44% minor across 9 tracks). The most common single key is 4B (A♭ Major) with 2 tracks.
We scored every transition between Thomas Labermair's 9 analysed tracks and every track by 12,460 other artists. 116 catalogues clear the bar by more than chance would give, and Amelie Lens, Belocca, Cosmic Boys are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Enter the Matrix into Basiel, 11A to 11A, 87 chemistry.
Thomas Labermair sits closest to Pablo Say, Karim Alkhayat, Weska in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.