Artist profile
Weska is a techno producer working in peak-time and driving styles. Known for crafting propulsive, rhythmically focused tracks, the artist operates within the contemporary techno landscape with a focus on dancefloor dynamics.
Compare with another artistPlan a set with Weska tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Weska is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 41 analysed tracks, Weska averages 72% energy — harder than 64% of individual Techno (Peak Time / Driving) tracks — and 64% groove, straighter than 61%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 66–134 BPM with a median of 128 · predominantly minor keys (59% minor) · most common key: 8A (A Minor) with 7 tracks.
How Weska’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across Weska's catalog, warmth has lifted; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Weska’s 40 analysed tracks and every track by 12,460 other artists. 1,126 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
113 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Weska tracks.
The Alley of Lars → New Ground · 2A → 1A · same BPM · 91 chemistry
109 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Weska tracks.
Alpha Rhythm → Shaka (Christian Smith Remix) - Remix · 9A → 9A · −2 BPM · 89 chemistry
109 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 19 different Weska tracks.
EQ64 → Drop your shoes · 10B → 10B · +2 BPM · 92 chemistry
105 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Weska tracks.
Say To Me → Blurred Motion · 10A → 10A · −1 BPM · 92 chemistry
124 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Weska tracks.
Say To Me → Quantum Leap - Tim Taste Remix · 10A → 10B · +1 BPM · 90 chemistry
105 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Weska tracks.
113 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Weska tracks.
Cataract → Celeste - Raito Remix · 8A → 8A · +1 BPM · 91 chemistry
119 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Weska tracks.
EQ64 → Black Forest · 10B → 10B · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Weska by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Weska, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Weska's tracks in our catalog range from 66 to 134 BPM, with a median of 128 BPM. Across 41 tracks, the most common range falls in the 130–135 BPM bucket.
Weska's tracks are mostly in minor keys (59% minor across 41 tracks). The most common single key is 8A (A Minor) with 7 tracks.
We scored every transition between Weska's 40 analysed tracks and every track by 12,460 other artists. 1,126 catalogues clear the bar by more than chance would give, and Bart Skils, Julian Jeweil, Lampe are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The Alley of Lars into New Ground, 2A to 1A, 91 chemistry.
Weska sits closest to Chris Veron, Loco & Jam, Pablo Say in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Weska releases spanning 2015 to 2026, with the most tracks from the 2020s.
