Artist profile
Thomas Gold is a big room house producer and DJ known for high-energy electronic compositions. His work emphasizes driving basslines and progressive builds characteristic of the genre.
Compare with another artistPlan a set with Thomas Gold tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Thomas Gold is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Big Room pocket.
Across 45 analysed tracks, Thomas Gold averages 68% energy — harder than 58% of individual Big Room tracks.
Measured against 4,718 Big Room tracks on 11 August 2026.
Most tracks sit between 74–150 BPM with a median of 128 · predominantly major keys (40% minor) · most common key: 9B (G Major) with 4 tracks.
How Thomas Gold’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Big Room tempo.
Across Thomas Gold's catalog, production has darkened; tempos have climbed from ~128 to ~132 BPM.
Missing one of theirs?
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We scored every transition between Thomas Gold’s 40 analysed tracks and every track by 12,460 other artists. 628 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
97 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Thomas Gold tracks.
Can't Stop This Feeling - Extended Mix → Table Flipping Machine - Extended Mix · 6A → 6A · same BPM · 93 chemistry
136 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Thomas Gold tracks.
Can't Stop This Feeling - Extended Mix → Beatroot - Dannic’s Extended Bigroom Edit · 6A → 6A · same BPM · 91 chemistry
117 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Thomas Gold tracks.
Seventeen feat. Bright Sparks - NOTO Remix → Feel The Same (feat. Jordan Grace) · 8A → 7B · same BPM · 90 chemistry
102 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Thomas Gold tracks.
Dynamite (Light It Up) feat. OFFDATA - Extended Mix → Destination Calabria - Extended Mix · 9B → 10B · −1 BPM · 91 chemistry
91 of the 1,040 transitions between these catalogues reach 80 chemistry. Chance would give 6.0. They come from 23 different Thomas Gold tracks.
Biting My Lip feat. Richard Judge - Extended Mix → Hear Me Now - Extended Mix · 8B → 8B · same BPM · 93 chemistry
113 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Thomas Gold tracks.
Biting My Lip feat. Richard Judge - Extended Mix → Rock & Rave · 8B → 7B · same BPM · 91 chemistry
96 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Thomas Gold tracks.
Can't Stop This Feeling - Extended Mix → Starflight - Extended Version · 6A → 6A · +2 BPM · 90 chemistry
101 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Thomas Gold tracks.
Seventeen feat. Bright Sparks - NOTO Remix → Next Round on Me - Extended Mix · 8A → 8A · −1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Thomas Gold by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Thomas Gold, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Thomas Gold's tracks in our catalog range from 74 to 150 BPM, with a median of 128 BPM. Across 45 tracks, the most common range falls in the 130–135 BPM bucket.
Thomas Gold's tracks are mostly in major keys (40% minor across 45 tracks). The most common single key is 9B (G Major) with 4 tracks.
We scored every transition between Thomas Gold's 40 analysed tracks and every track by 12,460 other artists. 628 catalogues clear the bar by more than chance would give, and Dada Life, Dannic, Futuristic Polar Bears are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Can't Stop This Feeling - Extended Mix into Table Flipping Machine - Extended Mix, 6A to 6A, 93 chemistry.
Thomas Gold sits closest to Paris Blohm, Dirty South, Laidback Luke in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Thomas Gold releases spanning 2006 to 2026, with the most tracks from the 2010s.
