Artist profile
Dirty South is an electronic music producer and DJ specializing in big room house and progressive house. Working primarily throughout the 2000s and 2010s, the artist built a reputation for high-energy dancefloor productions rooted in the big room aesthetic.
Compare with another artistPlan a set with Dirty South tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Dirty South is a high-energy with strong groove and drive and a balanced bright/warm production artist.
Sits right in the typical Big Room pocket.
Across 30 analysed tracks, Dirty South averages 68% energy — harder than 56% of individual Big Room tracks.
Measured against 4,718 Big Room tracks on 11 August 2026.
How Dirty South’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Big Room tempo.
Across Dirty South's catalog, warmth has receded; groove has deepened; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Dirty South’s 30 analysed tracks and every track by 12,460 other artists. 482 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
32 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 9 different Dirty South tracks.
The First Time feat. Rudy → Landscape of Moon - Michael a Remix · 4B → 5A · same BPM · 90 chemistry
37 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 11 different Dirty South tracks.
Holding Me Back - Extended Mix → Canis - Morttagua Remix · 9A → 8B · +2 BPM · 88 chemistry
30 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 11 different Dirty South tracks.
Rossa - Extended Version → Tormenta · 5A → 5A · +1 BPM · 90 chemistry
38 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 11 different Dirty South tracks.
The First Time feat. Rudy → Revenge of Jedi - Matias Burna Remix · 4B → 4B · −1 BPM · 90 chemistry
31 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 8 different Dirty South tracks.
The First Time feat. Rudy → Nazar - Stan Kolev Remix · 4B → 5A · same BPM · 91 chemistry
36 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 9 different Dirty South tracks.
The First Time feat. Rudy → Imentet · 4B → 4B · same BPM · 92 chemistry
30 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 9 different Dirty South tracks.
The First Time feat. Rudy → So Pretty · 4B → 4B · −1 BPM · 91 chemistry
34 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 12 different Dirty South tracks.
Unbreakable - Dubvision Remix → Escape feat. David Shane - Extended Mix · 6A → 5B · +1 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dirty South by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dirty South, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dirty South's tracks in our catalog range from 95 to 130 BPM, with a median of 125 BPM. Across 30 tracks, the most common range falls in the 125–130 BPM bucket.
Dirty South's tracks are mostly in minor keys (77% minor across 30 tracks). The most common single key is 6A (G Minor) with 4 tracks.
We scored every transition between Dirty South's 30 analysed tracks and every track by 12,460 other artists. 482 catalogues clear the bar by more than chance would give, and Antrim, Dabeat, Einmusik are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The First Time feat. Rudy into Landscape of Moon - Michael a Remix, 4B to 5A, 90 chemistry.
Dirty South sits closest to Thomas Gold, Steve Angello, Luttrell in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Dirty South releases spanning 2005 to 2026, with the most tracks from the 2010s.
