Artist profile
Third Party
Big Room producer and DJ.
Compare with another artistKeep exploring
Plan a set with Third Party tracks scored against the rest of the catalog
Third Party on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
Artist profile
Big Room producer and DJ.
Compare with another artistPlan a set with Third Party tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Third Party is a high-energy with strong groove and drive and a balanced bright/warm production artist.
Sits right in the typical Big Room pocket.
Across 13 analysed tracks, Third Party averages 68% energy — harder than 58% of individual Big Room tracks — and 67% groove, groovier than 57%.
Measured against 4,718 Big Room tracks on 11 August 2026.
How Third Party’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Big Room tempo.
Across Third Party's catalog, production has brightened; groove has thinned; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Third Party’s 13 analysed tracks and every track by 12,460 other artists. 194 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
42 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 7 different Third Party tracks.
ENEMY - Extended Mix → This Machine Kills Ravers · 9B → 9B · same BPM · 93 chemistry
49 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Third Party tracks.
ENEMY - Extended Mix → Lose Control - Extended Mix · 9B → 9B · same BPM · 91 chemistry
36 of the 429 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different Third Party tracks.
ENEMY - Extended Mix → Flame [Taking Me Over] feat. Matthew Steeper · 9B → 9B · same BPM · 89 chemistry
40 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Third Party tracks.
Come With Me - Extended Mix → Run feat. Nevve - Robin Aristo Remix · 8B → 8B · same BPM · 92 chemistry
45 of the 416 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 9 different Third Party tracks.
Remember → Chop Sticks - Extended Mix · 6B → 7A · same BPM · 90 chemistry
52 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Third Party tracks.
Live Forever - Club Mix → HELIX - Extended Mix · 5B → 5B · same BPM · 91 chemistry
37 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Third Party tracks.
Live Forever - Club Mix → Hypnotising - Extended Mix · 5B → 5B · −2 BPM · 89 chemistry
41 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Third Party tracks.
Live Forever - Club Mix → Live A Little Louder - Extended Mix · 5B → 6B · same BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Third Party by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Third Party, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Third Party's tracks in our catalog range from 95 to 128 BPM, with a median of 128 BPM. Across 13 tracks, the most common range falls in the 130–135 BPM bucket.
Third Party's tracks are mostly in major keys (23% minor across 13 tracks). The most common single key is 4B (A♭ Major) with 2 tracks.
We scored every transition between Third Party's 13 analysed tracks and every track by 12,460 other artists. 194 catalogues clear the bar by more than chance would give, and Dada Life, Dannic, Exodus are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: ENEMY - Extended Mix into This Machine Kills Ravers, 9B to 9B, 93 chemistry.
Third Party sits closest to DubVision, Dimitri Vangelis & Wyman, Matisse & Sadko in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Third Party releases spanning 2014 to 2025, with the most tracks from the 2010s.
