Artist profile
Stoneface & Terminal are a trance production duo known for their work in progressive and main-floor trance. Their sound combines driving rhythms with melodic elements characteristic of contemporary trance production.
Compare with another artistPlan a set with Stoneface & Terminal tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Stoneface & Terminal is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 95 analysed tracks, Stoneface & Terminal averages 70% energy — harder than 59% of individual Trance (Main Floor) tracks.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 66–140 BPM with a median of 136 · predominantly minor keys (62% minor) · most common key: 9A (E Minor) with 12 tracks.
How Stoneface & Terminal’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Stoneface & Terminal's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
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We scored every transition between Stoneface & Terminal’s 40 analysed tracks and every track by 12,460 other artists. 645 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
80 of the 1,320 transitions between these catalogues reach 80 chemistry. Chance would give 7.6. They come from 26 different Stoneface & Terminal tracks.
Berlin '96 (Take Me Back) - Club Mix → Crush The Unseen - Extended Mix · 6A → 6A · +2 BPM · 91 chemistry
81 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Stoneface & Terminal tracks.
New Jack City - Extended Mix → StarForm - Extended Mix · 2A → 1A · same BPM · 91 chemistry
78 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 27 different Stoneface & Terminal tracks.
Need You There - Extended Club Mix → Symphonic Gods - Extended Mix · 8A → 8A · +2 BPM · 93 chemistry
82 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Stoneface & Terminal tracks.
Triumvirate - Extended Mix → Anima · 9A → 10A · same BPM · 91 chemistry
79 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 28 different Stoneface & Terminal tracks.
Triumvirate - Extended Mix → High Rise - Extended Mix · 9A → 9A · same BPM · 93 chemistry
82 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Stoneface & Terminal tracks.
Triumvirate - Extended Mix → Dunes Of Light - Extended Mix · 9A → 9A · +2 BPM · 93 chemistry
81 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Stoneface & Terminal tracks.
Earth to Brain → Traumwelten - Recreate Extended Mix · 9A → 9A · same BPM · 93 chemistry
80 of the 1,480 transitions between these catalogues reach 80 chemistry. Chance would give 8.5. They come from 24 different Stoneface & Terminal tracks.
Earth to Brain → Beyond This Realm · 9A → 8A · same BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Stoneface & Terminal by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Stoneface & Terminal, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Stoneface & Terminal's tracks in our catalog range from 66 to 140 BPM, with a median of 136 BPM. Across 95 tracks, the most common range falls in the 135–140 BPM bucket.
Stoneface & Terminal's tracks are mostly in minor keys (62% minor across 95 tracks). The most common single key is 9A (E Minor) with 12 tracks.
We scored every transition between Stoneface & Terminal's 40 analysed tracks and every track by 12,460 other artists. 645 catalogues clear the bar by more than chance would give, and A.R.D.I., Activa, BiXX are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Berlin '96 (Take Me Back) - Club Mix into Crush The Unseen - Extended Mix, 6A to 6A, 91 chemistry.
Stoneface & Terminal sits closest to Thomas Bronzwaer, Ronski Speed, Mike Foyle in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Stoneface & Terminal releases spanning 1999 to 2025, with the most tracks from the 2010s.