Artist profile
James Dymond is a trance producer and DJ known for his work in main floor trance. His productions combine melodic elements with driving rhythms characteristic of the genre.
Compare with another artistPlan a set with James Dymond tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
James Dymond is a high-energy with strong drive and a bright production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 34 analysed tracks, James Dymond averages 73% energy — harder than 63% of individual Trance (Main Floor) tracks — and 56% groove, straighter than 60%.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
How James Dymond’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
James Dymond's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
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We scored every transition between James Dymond’s 34 analysed tracks and every track by 12,460 other artists. 659 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
140 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 32 different James Dymond tracks.
Future World - Extended Mix → Find Myself In Losing You · 6A → 6A · same BPM · 93 chemistry
146 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 32 different James Dymond tracks.
Flow Walker - Extended Mix → Anticipation - Extended Mix · 8A → 8A · same BPM · 93 chemistry
136 of the 986 transitions between these catalogues reach 80 chemistry. Chance would give 5.7. They come from 32 different James Dymond tracks.
Jupiter and Beyond - Extended Mix → We Go Again - Extended Mix · 8A → 8A · same BPM · 93 chemistry
137 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 33 different James Dymond tracks.
Just Let Me Be → Show Me the Way feat. Robin Vane · 6A → 6A · same BPM · 92 chemistry
145 of the 1,258 transitions between these catalogues reach 80 chemistry. Chance would give 7.2. They come from 34 different James Dymond tracks.
Future World - Extended Mix → In The Mood - Extended Mix · 6A → 6A · same BPM · 93 chemistry
148 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 28 different James Dymond tracks.
Layan Bay - Extended Mix → Won't Forget These Days · 8A → 8A · same BPM · 91 chemistry
142 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 33 different James Dymond tracks.
Slingshot → La Bella - Extended Mix · 7A → 7A · −2 BPM · 93 chemistry
145 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 29 different James Dymond tracks.
Future World - Extended Mix → Believe in Me - Extended Mix · 6A → 6A · −2 BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to James Dymond by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around James Dymond, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
James Dymond's tracks in our catalog range from 69 to 140 BPM, with a median of 138 BPM. Across 34 tracks, the most common range falls in the 140–145 BPM bucket.
James Dymond's tracks are mostly in minor keys (91% minor across 34 tracks). The most common single key is 8A (A Minor) with 9 tracks.
We scored every transition between James Dymond's 34 analysed tracks and every track by 12,460 other artists. 659 catalogues clear the bar by more than chance would give, and Alan Morris, Allen Watts, Daniel Skyver are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Future World - Extended Mix into Find Myself In Losing You, 6A to 6A, 93 chemistry.
James Dymond sits closest to Sneijder, Allen Watts, Sean Tyas in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has James Dymond releases spanning 2013 to 2023, with the most tracks from the 2010s.
