Artist profile
STANDERWICK is a trance producer and DJ known for work in the main floor trance space. His productions emphasize driving rhythms and melodic elements characteristic of contemporary trance.
Compare with another artistPlan a set with STANDERWICK tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
STANDERWICK is a high-energy with strong drive and a bright production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 12 analysed tracks, STANDERWICK averages 57% groove — straighter than 59% of individual Trance (Main Floor) tracks — and 69% energy, harder than 57%.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
How STANDERWICK’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Across STANDERWICK's catalog, tempos have eased from ~139 to ~128 BPM; production has darkened; vocal content has increased.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between STANDERWICK’s 12 analysed tracks and every track by 12,460 other artists. 338 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
42 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different STANDERWICK tracks.
Valyrian → Find Myself In Losing You · 6A → 6A · same BPM · 92 chemistry
40 of the 396 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different STANDERWICK tracks.
This Letter feat. Tensteps feat. NOHC - Extended Mix → Abyss - Extended Mix · 9B → 9B · +3 BPM · 90 chemistry
48 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different STANDERWICK tracks.
Valyrian → Desire - Extended Mix · 6A → 5B · +2 BPM · 90 chemistry
45 of the 408 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different STANDERWICK tracks.
Valyrian → Future World - Extended Mix · 6A → 6A · same BPM · 93 chemistry
39 of the 444 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different STANDERWICK tracks.
Valyrian → In The Mood - Extended Mix · 6A → 6A · same BPM · 91 chemistry
39 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different STANDERWICK tracks.
Dark Matter → Beat Alive · 7B → 8B · same BPM · 90 chemistry
40 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different STANDERWICK tracks.
Dreamstate → Front Line - Extended Mix · 8A → 8A · −2 BPM · 93 chemistry
41 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different STANDERWICK tracks.
Valyrian → Almost Nearly Always - Extended Mix · 6A → 6A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to STANDERWICK by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around STANDERWICK, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
STANDERWICK's tracks in our catalog range from 120 to 140 BPM, with a median of 138 BPM. Across 12 tracks, the most common range falls in the 140–145 BPM bucket.
STANDERWICK's tracks are mostly in minor keys (75% minor across 12 tracks). The most common single key is 6A (G Minor) with 3 tracks.
We scored every transition between STANDERWICK's 12 analysed tracks and every track by 12,460 other artists. 338 catalogues clear the bar by more than chance would give, and Alan Morris, Dan Thompson, DJ T.H. are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Valyrian into Find Myself In Losing You, 6A to 6A, 92 chemistry.
STANDERWICK sits closest to DRYM, Assaf, Futurecode in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has STANDERWICK releases spanning 2014 to 2024, with the most tracks from the 2010s.
