Artist profile
Alan Morris is a trance producer and DJ working within the main floor trance sound. His work is characterized by driving rhythms and layered synthesizer arrangements typical of the genre.
Compare with another artistPlan a set with Alan Morris tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Alan Morris is a high-energy with strong drive and a bright production — mostly instrumental artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 77 analysed tracks, Alan Morris averages 81% energy — harder than 74% of individual Trance (Main Floor) tracks — and 58% groove, straighter than 58%.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
How Alan Morris’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Across Alan Morris's catalog, tempos have climbed from ~110 to ~137 BPM; groove has deepened.
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We scored every transition between Alan Morris’s 40 analysed tracks and every track by 12,460 other artists. 665 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
150 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different Alan Morris tracks.
Second Face → Break Without The Pain · 4B → 4B · −2 BPM · 92 chemistry
133 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 26 different Alan Morris tracks.
Captive of Your Heart → Tuscia Est - Extended Mix · 6A → 5A · +2 BPM · 91 chemistry
142 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 36 different Alan Morris tracks.
Find Myself In Losing You → Future World - Extended Mix · 6A → 6A · same BPM · 93 chemistry
172 of the 1,480 transitions between these catalogues reach 80 chemistry. Chance would give 8.5. They come from 38 different Alan Morris tracks.
Deliverance - Extended Mix → The Pieces Of Life · 3A → 3A · same BPM · 93 chemistry
136 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 31 different Alan Morris tracks.
Tale of Light → Mangoria - Extended Mix · 11B → 11B · same BPM · 93 chemistry
136 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 36 different Alan Morris tracks.
Midnight - Extended Mix → LifeForce · 6A → 6A · same BPM · 93 chemistry
142 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different Alan Morris tracks.
Highlight - Extended Mix → Butterfly - Extended Mix · 11B → 11B · +2 BPM · 91 chemistry
174 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 38 different Alan Morris tracks.
Tale of Light → Vorny - Extended Mix · 11B → 11B · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Alan Morris by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Alan Morris, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Alan Morris's tracks in our catalog range from 66 to 140 BPM, with a median of 138 BPM. Across 77 tracks, the most common range falls in the 140–145 BPM bucket.
Alan Morris's tracks are mostly in major keys (43% minor across 77 tracks). The most common single key is 6A (G Minor) with 9 tracks.
We scored every transition between Alan Morris's 40 analysed tracks and every track by 12,460 other artists. 665 catalogues clear the bar by more than chance would give, and Allen Watts, Andrea Ribeca, James Dymond are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Second Face into Break Without The Pain, 4B to 4B, 92 chemistry.
Alan Morris sits closest to BiXX, Alessandra Roncone, Sean Tyas in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Alan Morris releases spanning 2013 to 2026, with the most tracks from the 2010s.
