Artist profile
Slam is a techno producer and DJ known for peak-time, driving techno. The artist has built a substantial body of work within the genre, establishing a presence in electronic music through production and performance.
Compare with another artistPlan a set with Slam tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Slam is a moderate-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 142 analysed tracks, Slam averages 57% energy — gentler than 62% of individual Techno (Peak Time / Driving) tracks.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 65–159 BPM with a median of 131 · predominantly minor keys (66% minor) · most common key: 8A (A Minor) with 16 tracks.
How Slam’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across Slam's catalog, tempos have climbed from ~126 to ~136 BPM; energy has lifted; warmth has receded.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Slam’s 40 analysed tracks and every track by 12,460 other artists. 1,121 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
90 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Slam tracks.
Minor Interruption → Made To Move · 10A → 10A · −1 BPM · 91 chemistry
72 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 26 different Slam tracks.
3.8 → Easy Meat - Bas Mooy Rework · 6A → 6A · +1 BPM · 90 chemistry
75 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 18 different Slam tracks.
98 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 15 different Slam tracks.
The Realm → Back in Time · 10A → 9B · same BPM · 91 chemistry
83 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 19 different Slam tracks.
Program - VRIL Remix → Coherence · 8A → 8A · −1 BPM · 92 chemistry
86 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 18 different Slam tracks.
88 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 20 different Slam tracks.
Program - VRIL Remix → Structured deceit · 8A → 8B · −1 BPM · 90 chemistry
88 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 21 different Slam tracks.
Area 51 → Pushing Forward · 6B → 6B · −2 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Slam by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Slam, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Slam's tracks in our catalog range from 65 to 159 BPM, with a median of 131 BPM. Across 142 tracks, the most common range falls in the 130–135 BPM bucket.
Slam's tracks are mostly in minor keys (66% minor across 142 tracks). The most common single key is 8A (A Minor) with 16 tracks.
We scored every transition between Slam's 40 analysed tracks and every track by 12,460 other artists. 1,121 catalogues clear the bar by more than chance would give, and Filterheadz, Hans Bouffmyhre, Inigo Kennedy are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Minor Interruption into Made To Move, 10A to 10A, 91 chemistry.
Slam sits closest to Roman Flügel, Funk D'Void, Truncate in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Slam releases spanning 1991 to 2025, with the most tracks from the 1990s.
