Artist profile
Filterheadz is a techno producer working in peak-time and driving styles. Their work is characterized by propulsive rhythmic frameworks and stripped-down, functional sound design typical of the contemporary techno underground.
Compare with another artistPlan a set with Filterheadz tracks scored against the rest of the catalog
Filterheadz is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 88 analysed tracks, Filterheadz sits within a few points of the Techno (Peak Time / Driving) median on groove and energy.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 65–146 BPM with a median of 130 · predominantly minor keys (74% minor) · most common key: 5A (C Minor) with 9 tracks.
How Filterheadz’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across Filterheadz's catalog, tempos have climbed from ~116 to ~137 BPM; warmth has receded; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Filterheadz’s 40 analysed tracks and every track by 12,460 other artists. 1,461 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
170 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Filterheadz tracks.
Made To Move → Element Orange · 10A → 10A · same BPM · 91 chemistry
143 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Filterheadz tracks.
149 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Filterheadz tracks.
Hexagone → The Journey · 10B → 10B · −3 BPM · 91 chemistry
145 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Filterheadz tracks.
Seatle → Glasshouse · 12A → 12A · −1 BPM · 93 chemistry
170 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 30 different Filterheadz tracks.
Let's Rave Again → Cave · 9A → 9A · −1 BPM · 90 chemistry
151 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Filterheadz tracks.
151 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Filterheadz tracks.
Passenger To Mars → In My Zone · 1B → 12B · same BPM · 90 chemistry
144 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 34 different Filterheadz tracks.
Voyager → Swinging Chords · 3A → 2A · −1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Filterheadz by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Filterheadz, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Filterheadz's tracks in our catalog range from 65 to 146 BPM, with a median of 130 BPM. Across 88 tracks, the most common range falls in the 130–135 BPM bucket.
Filterheadz's tracks are mostly in minor keys (74% minor across 88 tracks). The most common single key is 5A (C Minor) with 9 tracks.
We scored every transition between Filterheadz's 40 analysed tracks and every track by 12,460 other artists. 1,461 catalogues clear the bar by more than chance would give, and Cari Lekebusch, Deas, Lampe are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Made To Move into Element Orange, 10A to 10A, 91 chemistry.
Filterheadz sits closest to Mauro Picotto, Marcel Woods, Giuseppe Ottaviani in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Filterheadz releases spanning 2013 to 2024, with the most tracks from the 2020s.