Artist profile
Planetary Assault Systems is a techno artist working in raw, hypnotic styles. Their practice centers on deep, stripped-down production approaches characteristic of contemporary underground techno.
Compare with another artistPlan a set with Planetary Assault Systems tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Planetary Assault Systems is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Techno (Raw / Deep / Hypnotic) pocket.
Across 48 analysed tracks, Planetary Assault Systems averages 64% groove — straighter than 67% of individual Techno (Raw / Deep / Hypnotic) tracks — and 54% energy, gentler than 58%.
Measured against 10,772 Techno (Raw / Deep / Hypnotic) tracks on 11 August 2026.
Most tracks sit between 65–142 BPM with a median of 133 · predominantly minor keys (60% minor) · most common key: 6A (G Minor) with 5 tracks.
How Planetary Assault Systems’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Raw / Deep / Hypnotic) tempo.
Across Planetary Assault Systems's catalog, warmth has receded; production has darkened; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Planetary Assault Systems’s 40 analysed tracks and every track by 12,460 other artists. 1,027 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
142 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Planetary Assault Systems tracks.
Engage Now To Surface - Luke Slater Reassembly → UFO · 4A → 3B · +1 BPM · 91 chemistry
134 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Planetary Assault Systems tracks.
Labyrinth → Spectrum Disorder · 2B → 2B · +1 BPM · 91 chemistry
135 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Planetary Assault Systems tracks.
Engage Now To Surface - Luke Slater Reassembly → Back 2 Back · 4A → 4A · −1 BPM · 93 chemistry
154 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Planetary Assault Systems tracks.
Thunder Major → Don't Fear the Three · 6A → 6A · same BPM · 93 chemistry
133 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Planetary Assault Systems tracks.
Thunder Major → Agualusa · 6A → 6A · −1 BPM · 93 chemistry
154 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Planetary Assault Systems tracks.
179 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 29 different Planetary Assault Systems tracks.
Thunder Major → Shaman Whistle · 6A → 6A · −3 BPM · 91 chemistry
133 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Planetary Assault Systems tracks.
Thunder Major → Meteora · 6A → 6A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Planetary Assault Systems by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Planetary Assault Systems, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Planetary Assault Systems's tracks in our catalog range from 65 to 142 BPM, with a median of 133 BPM. Across 48 tracks, the most common range falls in the 135–140 BPM bucket.
Planetary Assault Systems's tracks are mostly in minor keys (60% minor across 48 tracks). The most common single key is 6A (G Minor) with 5 tracks.
We scored every transition between Planetary Assault Systems's 40 analysed tracks and every track by 12,460 other artists. 1,027 catalogues clear the bar by more than chance would give, and Arnaud Le Texier, Axel Karakasis, Klint are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Engage Now To Surface - Luke Slater Reassembly into UFO, 4A to 3B, 91 chemistry.
Planetary Assault Systems sits closest to Luke Slater, Oscar Mulero, Surgeon in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Planetary Assault Systems releases spanning 1993 to 2025, with the most tracks from the 2010s.