Artist profile
SHARPS is a dubstep producer working within the genre's darker and more experimental territories. Their work emphasizes intricate sound design and atmospheric production techniques characteristic of contemporary dubstep.
Compare with another artistPlan a set with SHARPS tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
SHARPS is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 9 analysed tracks, SHARPS averages 62% groove — groovier than 72% of individual Dubstep tracks — and 71% energy, harder than 71%.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between SHARPS’s 9 analysed tracks and every track by 12,460 other artists. 125 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
27 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different SHARPS tracks.
Trespass → Opus in Eminor · 9A → 9A · same BPM · 87 chemistry
26 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different SHARPS tracks.
Trespass → Sidequest ft. LoneMoon · 9A → 9A · same BPM · 90 chemistry
29 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different SHARPS tracks.
30 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different SHARPS tracks.
Trespass → Throwin' Elbows · 9A → 9A · same BPM · 92 chemistry
31 of the 252 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 8 different SHARPS tracks.
Evacuate → Resurrection feat. Micah Martin · 6A → 6A · double-time · 89 chemistry
26 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different SHARPS tracks.
Trespass → Dolphin Flex · 9A → 9A · same BPM · 90 chemistry
25 of the 333 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 7 different SHARPS tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to SHARPS by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around SHARPS, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
SHARPS's tracks in our catalog range from 73 to 150 BPM, with a median of 150 BPM. Across 9 tracks, the most common range falls in the 150–155 BPM bucket.
SHARPS's tracks are mostly in minor keys (78% minor across 9 tracks). The most common single key is 9A (E Minor) with 2 tracks.
We scored every transition between SHARPS's 9 analysed tracks and every track by 12,460 other artists. 125 catalogues clear the bar by more than chance would give, and 12th Planet, Chime, Dr. Ozi are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Trespass into Opus in Eminor, 9A to 9A, 87 chemistry.
SHARPS sits closest to Guttstar, Project Aspect, Dov in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has SHARPS releases spanning 2019 to 2021, with the most tracks from the 2010s.
