Artist profile
L.U.X. is a dubstep producer known for heavy, bass-forward sound design and intricate rhythmic layering. The artist works within the broader dubstep ecosystem, crafting tracks that emphasize sub-bass depth and complex percussive arrangements.
Compare with another artistPlan a set with L.U.X tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
L.U.X is a high-energy and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 22 analysed tracks, L.U.X averages 62% energy — gentler than 57% of individual Dubstep tracks — and 53% groove, groovier than 56%.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Most tracks sit between 70–150 BPM with a median of 140 · predominantly minor keys (73% minor) · most common key: 7A (D Minor) with 6 tracks.
How L.U.X’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dubstep tempo.
Across L.U.X's catalog, tempos have climbed from ~140 to ~148 BPM; warmth has receded; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between L.U.X’s 22 analysed tracks and every track by 12,460 other artists. 435 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
93 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 16 different L.U.X tracks.
Essence → Make Some Noise · 2A → 2A · −3 BPM · 90 chemistry
83 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 16 different L.U.X tracks.
85 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 16 different L.U.X tracks.
Genesis (feat. Soberts & PsychoticMinds) → Living Dead · 7A → 6A · same BPM · 86 chemistry
94 of the 858 transitions between these catalogues reach 80 chemistry. Chance would give 4.9. They come from 16 different L.U.X tracks.
Reanimation (feat. Diskirz, Mits & TEN6) - Code: Pandorum Remix → Freaky Party · 4A → 4A · same BPM · 93 chemistry
104 of the 858 transitions between these catalogues reach 80 chemistry. Chance would give 4.9. They come from 15 different L.U.X tracks.
Wook Zone → Turn It Up · 2A → 2A · −1 BPM · 93 chemistry
76 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 15 different L.U.X tracks.
83 of the 814 transitions between these catalogues reach 80 chemistry. Chance would give 4.7. They come from 16 different L.U.X tracks.
From The Grave (feat. Sudden Death & Code: Pandorum) → Divide feat. Anna Yvette · 4A → 4A · same BPM · 91 chemistry
81 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 16 different L.U.X tracks.
Essence → Last Man Standing · 2A → 2A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to L.U.X by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around L.U.X, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
L.U.X's tracks in our catalog range from 70 to 150 BPM, with a median of 140 BPM. Across 22 tracks, the most common range falls in the 140–145 BPM bucket.
L.U.X's tracks are mostly in minor keys (73% minor across 22 tracks). The most common single key is 7A (D Minor) with 6 tracks.
We scored every transition between L.U.X's 22 analysed tracks and every track by 12,460 other artists. 435 catalogues clear the bar by more than chance would give, and Aweminus, Dr. Ozi, Figure are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Essence into Make Some Noise, 2A to 2A, 90 chemistry.
L.U.X sits closest to Afterlife, A Man Called Adam, Digby Jones in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has L.U.X releases spanning 1994 to 2020, with the most tracks from the 2010s.
