Artist profile
Scuba is a British techno producer and DJ known for driving, peak-time sound design rooted in the UK electronic music scene. His work spans both club-focused releases and more experimental studio productions, characterized by precise percussion and evolving atmospheric elements.
Compare with another artistPlan a set with Scuba tracks scored against the rest of the catalog
Scuba is a moderate-energy artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 60 analysed tracks, Scuba averages 58% groove — straighter than 69% of individual Techno (Peak Time / Driving) tracks — and 54% energy, gentler than 68%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 70–150 BPM with a median of 125 · predominantly minor keys (58% minor) · most common key: 8A (A Minor) with 9 tracks.
How Scuba’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across Scuba's catalog, tempos have eased from ~115 to ~106 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Scuba’s 40 analysed tracks and every track by 12,460 other artists. 1,249 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
55 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 11 different Scuba tracks.
Too Strong - Nicole Moudaber Remix → Monkeywrench · 8A → 7B · +1 BPM · 90 chemistry
71 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 15 different Scuba tracks.
All I Think About Is Death - Radio Slave Remix → Twisted · 7B → 8B · +2 BPM · 89 chemistry
92 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 12 different Scuba tracks.
Forget Tool → Dorsal · 8A → 8A · −1 BPM · 93 chemistry
83 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 10 different Scuba tracks.
Television - Atom TM Remix → Back in Time · 9B → 9B · +2 BPM · 89 chemistry
64 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 11 different Scuba tracks.
Forget Tool → Till Dawn · 8A → 8A · −1 BPM · 93 chemistry
68 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 13 different Scuba tracks.
Why You Feel So Low → Your Life · 11B → 11B · same BPM · 93 chemistry
62 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 15 different Scuba tracks.
Why You Feel So Low → Thoughts · 11B → 10B · same BPM · 88 chemistry
65 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 13 different Scuba tracks.
All I Think About Is Death - Radio Slave Remix → Catarse · 7B → 8A · +2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Scuba by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Scuba, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Scuba's tracks in our catalog range from 70 to 150 BPM, with a median of 125 BPM. Across 60 tracks, the most common range falls in the 125–130 BPM bucket.
Scuba's tracks are mostly in minor keys (58% minor across 60 tracks). The most common single key is 8A (A Minor) with 9 tracks.
We scored every transition between Scuba's 40 analysed tracks and every track by 12,460 other artists. 1,249 catalogues clear the bar by more than chance would give, and APHE, Carlo Ruetz, Julian Jeweil are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Too Strong - Nicole Moudaber Remix into Monkeywrench, 8A to 7B, 90 chemistry.
Scuba sits closest to 2562, Martyn, Sigha in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Scuba releases spanning 2007 to 2026, with the most tracks from the 2010s.