Artist profile
Martyn is a bass and club music producer known for his work in deep, percussive electronic music. His productions span techno, garage, and experimental club sounds, with a focus on intricate rhythmic structures and atmospheric design.
Compare with another artistPlan a set with Martyn tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Martyn is a moderate-energy — mostly instrumental artist.
Sits right in the typical Bass / Club pocket.
Across 28 analysed tracks, Martyn averages 56% groove — groovier than 68% of individual Bass / Club tracks — and 47% energy, gentler than 67%.
Measured against 6,914 Bass / Club tracks on 11 August 2026.
Most tracks sit between 65–160 BPM with a median of 131 · predominantly minor keys (64% minor) · most common key: 2A (E♭ Minor) with 4 tracks.
How Martyn’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Bass / Club tempo.
Across Martyn's catalog, groove has thinned; tempos have eased from ~139 to ~127 BPM; warmth has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Martyn’s 28 analysed tracks and every track by 12,460 other artists. 177 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
28 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 7 different Martyn tracks.
Rhythm Ritual → Zagaçá · 2A → 2A · same BPM · 90 chemistry
24 of the 532 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Martyn tracks.
One Eye → Fake World · 3B → 3A · −1 BPM · 88 chemistry
30 of the 1,036 transitions between these catalogues reach 80 chemistry. Chance would give 5.9. They come from 9 different Martyn tracks.
Rhythm Ritual → No Way! · 2A → 2A · +1 BPM · 89 chemistry
31 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 8 different Martyn tracks.
Rhythm Ritual → Impulsive · 2A → 3A · −3 BPM · 89 chemistry
30 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 9 different Martyn tracks.
Odds Against Us → Inerzia · 7A → 7A · −1 BPM · 89 chemistry
29 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 8 different Martyn tracks.
Rhythm Ritual → Fucking Neck · 2A → 2A · −3 BPM · 84 chemistry
34 of the 924 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 8 different Martyn tracks.
Rhythm Ritual → Everybody · 2A → 2A · −1 BPM · 88 chemistry
32 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 7 different Martyn tracks.
Rhythm Ritual → Drums · 2A → 2A · +2 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Martyn by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Martyn, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Martyn's tracks in our catalog range from 65 to 160 BPM, with a median of 131 BPM. Across 28 tracks, the most common range falls in the 130–135 BPM bucket.
Martyn's tracks are mostly in minor keys (64% minor across 28 tracks). The most common single key is 2A (E♭ Minor) with 4 tracks.
We scored every transition between Martyn's 28 analysed tracks and every track by 12,460 other artists. 177 catalogues clear the bar by more than chance would give, and Bowser, Danny Dee, DJ Brownie are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Rhythm Ritual into Zagaçá, 2A to 2A, 90 chemistry.
Martyn sits closest to 2562, Kode9, FaltyDL in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Martyn releases spanning 2006 to 2023, with the most tracks from the 2010s.
