Artist profile
Polaris is a drum and bass producer working within the genre's electronic production landscape. The artist's work engages with the fast-paced breakbeats and bass-heavy aesthetics central to drum and bass composition.
Compare with another artistPlan a set with Polaris tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Polaris is a moderate-energy artist.
Sits right in the typical Drum & Bass pocket.
Across 8 analysed tracks, Polaris averages 53% groove — groovier than 80% of individual Drum & Bass tracks — and 55% energy, gentler than 77%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Polaris’s 8 analysed tracks and every track by 12,460 other artists. 217 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
26 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Polaris tracks.
26 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Polaris tracks.
29 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Polaris tracks.
History → Ride Or Die · 5B → 6A · +1 BPM · 89 chemistry
29 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Polaris tracks.
History → Dawn of a Dark Day feat. Foreign Beggars - Prolix Remix · 5B → 6A · same BPM · 90 chemistry
26 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Polaris tracks.
31 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Polaris tracks.
History → Shadow Dwellers · 5B → 5B · +1 BPM · 90 chemistry
31 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Polaris tracks.
30 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Polaris tracks.
History → Long Term Effect · 5B → 6A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Polaris by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Polaris, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Polaris's tracks in our catalog range from 85 to 174 BPM, with a median of 120 BPM. Across 8 tracks, the most common range falls in the 120–125 BPM bucket.
Polaris's tracks are mostly in minor keys (75% minor across 8 tracks). The most common single key is 5A (C Minor) with 1 track.
We scored every transition between Polaris's 8 analysed tracks and every track by 12,460 other artists. 217 catalogues clear the bar by more than chance would give, and Alibi, Amplify, Audio are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: History into Skyline, 5B to 5B, 88 chemistry.
Polaris sits closest to Currents, Invent Animate, Erra in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Polaris releases spanning 1996 to 2013, with the most tracks from the 2010s.
