Artist profile
Paul Johnson is a tech house producer working primarily in the deep and minimal house idiom. His production spans the mid-1990s onward, contributing to the genre's development during a formative period.
Compare with another artistPlan a set with Paul Johnson tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Paul Johnson is a moderate-energy with strong groove and a bright production — mostly instrumental artist.
Sits right in the typical House pocket.
Across 45 analysed tracks, Paul Johnson averages 44% energy — gentler than 71% of individual House tracks.
Measured against 20,959 House tracks on 11 August 2026.
Most tracks sit between 66–150 BPM with a median of 128 · predominantly minor keys (73% minor) · most common key: 4A (F Minor) with 7 tracks.
How Paul Johnson’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical House tempo.
Across Paul Johnson's catalog, warmth has lifted; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Paul Johnson’s 40 analysed tracks and every track by 12,460 other artists. 1,882 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
121 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 25 different Paul Johnson tracks.
Get Get Down → Power of Today · 4A → 4A · +1 BPM · 93 chemistry
116 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Paul Johnson tracks.
Get Get Down → Move · 4A → 5A · same BPM · 89 chemistry
104 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Paul Johnson tracks.
You Make Me Say Do Be Do → And I Am Telling You I'm Not Going · 7B → 7B · −3 BPM · 90 chemistry
119 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Paul Johnson tracks.
Get Get Down → A Taste of the 90s · 4A → 5A · −2 BPM · 90 chemistry
130 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Paul Johnson tracks.
You Make Me Say Do Be Do → La Femme Fantastique feat. Josh Caffe - Extended Mix · 7B → 8A · same BPM · 92 chemistry
113 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 27 different Paul Johnson tracks.
104 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Paul Johnson tracks.
You Make Me Say Do Be Do → Let It Go feat. Marc E. Bassy - Extended Mix · 7B → 7B · +2 BPM · 90 chemistry
104 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Paul Johnson tracks.
Get Get Down → Heartbeat - Extended Mix · 4A → 5A · −1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Paul Johnson by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Paul Johnson, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Paul Johnson's tracks in our catalog range from 66 to 150 BPM, with a median of 128 BPM. Across 45 tracks, the most common range falls in the 130–135 BPM bucket.
Paul Johnson's tracks are mostly in minor keys (73% minor across 45 tracks). The most common single key is 4A (F Minor) with 7 tracks.
We scored every transition between Paul Johnson's 40 analysed tracks and every track by 12,460 other artists. 1,882 catalogues clear the bar by more than chance would give, and Alinka, Daniel Steinberg, David Morales are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Get Get Down into Power of Today, 4A to 4A, 93 chemistry.
Paul Johnson sits closest to Le Knight Club, DJ Deeon, DJ Sneak in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Paul Johnson releases spanning 1992 to 2023, with the most tracks from the 1990s.
