Artist profile
The Bucketheads are a house music project known for their work in electronic dance music. Operating primarily within the house genre, the project has maintained a presence in underground and club-oriented production.
Compare with another artistPlan a set with The Bucketheads tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
The Bucketheads is a restrained with strong groove and a bright production — mostly instrumental artist.
Unusually low energy and drive for House.
Across 9 analysed tracks, The Bucketheads averages 27% energy — gentler than 97% of individual House tracks.
Measured against 20,959 House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between The Bucketheads’s 9 analysed tracks and every track by 12,460 other artists. 267 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
43 of the 216 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 9 different The Bucketheads tracks.
Come And Be Gone - Little Louie Vega Edit → One Night Affair · 1B → 1B · −1 BPM · 89 chemistry
53 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different The Bucketheads tracks.
The Bomb! - Armand Van Helden Re-Edit → Twlight · 8A → 8A · same BPM · 92 chemistry
46 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different The Bucketheads tracks.
The Bomb! - Armand Van Helden Re-Edit → Needin' U - Extended Mix · 8A → 8A · same BPM · 91 chemistry
36 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different The Bucketheads tracks.
The Bomb! - Armand Van Helden Re-Edit → Blow and Hoes (The LINK) · 8A → 9A · same BPM · 91 chemistry
41 of the 270 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 6 different The Bucketheads tracks.
The Bomb (These Sounds Fall Into My Mind) → 9 Minutes At The Club - REMASTER · 8A → 8A · same BPM · 93 chemistry
41 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different The Bucketheads tracks.
The Bomb (These Sounds Fall Into My Mind) → Rising · 8A → 8A · −1 BPM · 90 chemistry
42 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different The Bucketheads tracks.
The Bomb (These Sounds Fall Into My Mind) → V Gets Jazzy - Todd Terry Mix · 8A → 8A · +1 BPM · 93 chemistry
37 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different The Bucketheads tracks.
The Bomb! - Armand Van Helden Re-Edit → It's What We Live, It's What We Are - KenLou Mix · 8A → 8A · −3 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to The Bucketheads by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around The Bucketheads, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
The Bucketheads's tracks in our catalog range from 119 to 126 BPM, with a median of 126 BPM. Across 9 tracks, the most common range falls in the 125–130 BPM bucket.
The Bucketheads's tracks are mostly in minor keys (89% minor across 9 tracks). The most common single key is 8A (A Minor) with 5 tracks.
We scored every transition between The Bucketheads's 9 analysed tracks and every track by 12,460 other artists. 267 catalogues clear the bar by more than chance would give, and Angel Moraes, Daniel Steinberg, David Morales are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Come And Be Gone - Little Louie Vega Edit into One Night Affair, 1B to 1B, 89 chemistry.
The Bucketheads sits closest to Robin S, Ultra Nate, Michael Gray in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has The Bucketheads releases spanning 1994 to 2014, with the most tracks from the 1990s.