House · 1996
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Hear The Music by Paul Johnson is a bass-heavy, groove-locked House track at 128 BPM with moderate drive and strong groove. At 34% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 1 Jan 1996 · 5:21 · 42% mood · -13 dB loudness
The feel
The groove is the story here — 91% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
34% energy places it in the warm-up — setting the room up before the climb.
Paul Johnson is a tech house producer working primarily in the deep and minimal house idiom. His production spans the mid-1990s onward, contributing to the genre's development during a formative period.
128
Median BPM
4A
Top key
1992–2023
Active
45
Tracks
128 BPM — squarely in house territory, mixable within roughly 123–133 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~123–133 BPM.
Warm-up and opener — 34% energy with strong groove sets the tone before the energy climbs.
Explore: 128 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide · House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Hour Glass Figure
Paul Johnson
127 BPM · 2A · House
Same key · -1 BPM — seamless blend
Sting Me Red - Main Mix
Who Da Funk
128 BPM · 2A · House
Same key · same BPM — seamless blend
After The Dance - Club Edit
Scottie Deep
126 BPM · 3A · House
Adjacent key · -2 BPM — seamless blend
He Not In
Chicken Lips
126 BPM · 3A · House
Adjacent key · -2 BPM — seamless blend
Don't Call Me Baby
Madison Avenue
125 BPM · 3A · House
Adjacent key · -3 BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 91% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Sting Me Red - Main Mix
Who Da Funk · 128 BPM · 2A
93 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 5:21 — the outro gives you a full phrase to work with.
After The Dance - Club Edit
Scottie Deep · 126 BPM · 3A
89 chemistry