Artist profile
Original Sin is a drum and bass producer and DJ known for work within the genre's technical and atmospheric substyles. The artist has contributed to the drum and bass landscape through releases and performances that emphasize intricate production and sonic depth.
Compare with another artistPlan a set with Original Sin tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Original Sin is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 52 analysed tracks, Original Sin averages 71% energy — harder than 79% of individual Drum & Bass tracks — and 52% groove, groovier than 79%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 87–175 BPM with a median of 88 · predominantly minor keys (58% minor) · most common key: 7B (F Major) with 14 tracks.
How Original Sin’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across Original Sin's catalog, groove has thinned; vocal content has thinned; warmth has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Original Sin’s 40 analysed tracks and every track by 12,460 other artists. 848 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
271 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 35 different Original Sin tracks.
Take Cover (feat. Trayz) → Get A Good Feeling - Extended Mix · 5B → 5B · same BPM · 92 chemistry
275 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different Original Sin tracks.
Donkey Dust - VIP → 2 Stroke · 9A → 9A · −2 BPM · 93 chemistry
294 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Original Sin tracks.
Back To The Future → Elektrik · 7B → 7B · −1 BPM · 93 chemistry
263 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Original Sin tracks.
Headshot → Ultralight - A.M.C Remix · 7B → 7B · same BPM · 93 chemistry
314 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 31 different Original Sin tracks.
303 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 35 different Original Sin tracks.
Headshot → Rocket Fuel · 7B → 7B · same BPM · 92 chemistry
284 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different Original Sin tracks.
Real Junglist → Red Sky · 7B → 7B · −1 BPM · 92 chemistry
272 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different Original Sin tracks.
Take Cover (feat. Trayz) → Don't Look Back · 5B → 5B · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Original Sin by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Original Sin, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Original Sin's tracks in our catalog range from 87 to 175 BPM, with a median of 88 BPM. Across 52 tracks, the most common range falls in the 90–95 BPM bucket.
Original Sin's tracks are mostly in minor keys (58% minor across 52 tracks). The most common single key is 7B (F Major) with 14 tracks.
We scored every transition between Original Sin's 40 analysed tracks and every track by 12,460 other artists. 848 catalogues clear the bar by more than chance would give, and 1991, Audio, Fourward are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Take Cover (feat. Trayz) into Get A Good Feeling - Extended Mix, 5B to 5B, 92 chemistry.
Original Sin sits closest to DJ Hazard, Taxman, AC13 in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Original Sin releases spanning 2013 to 2025, with the most tracks from the 2010s.
