Artist profile
Drum & Bass producer and DJ.
Compare with another artistPlan a set with 1991 tracks scored against the rest of the catalog
1991 is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 40 analysed tracks, 1991 averages 64% energy — harder than 59% of individual Drum & Bass tracks — and 40% groove, straighter than 56%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
How 1991’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across 1991's catalog, warmth has lifted; tempos have eased from ~92 to ~87 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between 1991’s 40 analysed tracks and every track by 12,460 other artists. 941 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
387 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different 1991 tracks.
Cyclone → How Ft. Dakota Sixx · 8A → 8A · −1 BPM · 93 chemistry
358 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 38 different 1991 tracks.
The People - D&B Mix → Chemicals · 3A → 3A · same BPM · 93 chemistry
403 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 36 different 1991 tracks.
Horizon - Extended Mix → Timelapse · 4A → 4A · same BPM · 93 chemistry
359 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 38 different 1991 tracks.
Power → Skyline feat. Metrik · 4A → 4A · same BPM · 93 chemistry
369 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different 1991 tracks.
All We Do Is Dance - Extended Mix → Dirtgrub · 4A → 4A · same BPM · 91 chemistry
354 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different 1991 tracks.
Kings & Queens → Telepathy · 4A → 4A · same BPM · 93 chemistry
381 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different 1991 tracks.
Kings & Queens → No Turning Back · 4A → 4A · +1 BPM · 93 chemistry
375 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different 1991 tracks.
Hijack → Dancing Shoes · 7B → 7B · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to 1991 by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around 1991, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
1991's tracks in our catalog range from 86 to 172 BPM, with a median of 87 BPM. Across 40 tracks, the most common range falls in the 85–90 BPM bucket.
1991's tracks are mostly in minor keys (68% minor across 40 tracks). The most common single key is 4A (F Minor) with 8 tracks.
We scored every transition between 1991's 40 analysed tracks and every track by 12,460 other artists. 941 catalogues clear the bar by more than chance would give, and Fourward, Kanine, L Plus are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Cyclone into How Ft. Dakota Sixx, 8A to 8A, 93 chemistry.
1991 sits closest to Polygon, Tsuki, Huerco S. in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has 1991 releases spanning 2016 to 2026, with the most tracks from the 2010s.