Artist profile
Obscene Frequenzy is a breakbeat and UK bass producer working across drum-and-bass and related electronic styles. The project focuses on intricate breakbeat manipulation and sub-bass design within the broader breaks and bassline continuum.
Compare with another artistPlan a set with Obscene Frequenzy tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Obscene Frequenzy is a moderate-energy and a bright production artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 20 analysed tracks, Obscene Frequenzy averages 42% groove — straighter than 61% of individual Breaks / Breakbeat / UK Bass tracks — and 52% energy, gentler than 56%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
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We scored every transition between Obscene Frequenzy’s 20 analysed tracks and every track by 12,460 other artists. 324 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
115 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 19 different Obscene Frequenzy tracks.
Coming Back → Remember · 7B → 7B · +1 BPM · 92 chemistry
116 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 20 different Obscene Frequenzy tracks.
All I Want → Strictly deep · 4B → 5A · same BPM · 92 chemistry
115 of the 700 transitions between these catalogues reach 80 chemistry. Chance would give 4.0. They come from 19 different Obscene Frequenzy tracks.
Hold On Me → Get Crazy · 6A → 5A · same BPM · 92 chemistry
145 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 17 different Obscene Frequenzy tracks.
This Is My Beat → Freaky D Key · 7A → 7A · same BPM · 91 chemistry
120 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 19 different Obscene Frequenzy tracks.
Coming Back → Hallucination Generation · 7B → 7A · same BPM · 90 chemistry
123 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 19 different Obscene Frequenzy tracks.
131 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 20 different Obscene Frequenzy tracks.
Holdin' It → Lafayette · 7A → 7A · +1 BPM · 90 chemistry
124 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 19 different Obscene Frequenzy tracks.
Hold On Me → The Wind´s Shadow · 6A → 7A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Obscene Frequenzy by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Obscene Frequenzy, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Obscene Frequenzy's tracks in our catalog range from 125 to 137 BPM, with a median of 130 BPM. Across 20 tracks, the most common range falls in the 130–135 BPM bucket.
Obscene Frequenzy's tracks are mostly in minor keys (85% minor across 20 tracks). The most common single key is 12A (C♯ Minor) with 4 tracks.
We scored every transition between Obscene Frequenzy's 20 analysed tracks and every track by 12,460 other artists. 324 catalogues clear the bar by more than chance would give, and Bubble Couple, Digital Base, DJ EKL are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Coming Back into Remember, 7B to 7B, 92 chemistry.
Obscene Frequenzy sits closest to Bombo Rosa, Hankook, SellRude in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.