Coming Back

Obscene Frequenzy

BPM132 Key7BF MajorEnergySustainerBreaks / Breakbeat / UK Bass

30-second preview0:00 / 0:30

Preview provided courtesy of iTunes

Preview via Apple Music

Score with another

Listen on Spotify Find on Beatport Apple Music

4:43·Released 2016·

Songs That Mix Well With "Coming Back" by Obscene Frequenzy

Discover harmonic, tempo, and energy-matched tracks that blend smoothly with this Breaks / Breakbeat / UK Bass tune. Every match below is DJ-ready and scored for mix compatibility.

Tune recommendations

Coming Back

Obscene Frequenzy

1327B

Breaks / Breakbeat / UK Bass

By score

Show differentPro

Score shows mix compatibility · Order includes artist, era & genre context

Don´t Give Up (feat. Valerie M)

Valerie M, Destroyers, Hankook

132 BPM·7B·Breaks / Breakbeat / UK Bass

Tempo lockSame keyRelated artistPopular

Same key (7b), energy rises (+9%), matched brightness, vibe stays consistent — seamless blend

Does this mix work?

Bass Low

Ondamike

133 BPM·8B·Breaks / Breakbeat / UK Bass

Tempo lockAdjacentPopular

Adjacent key (8b), keeps the same energy, similar matched brightness and warm tonal match — smooth blend, vibe stays consistent — seamless blend

Does this mix work?

Slougg

Ondamike, Deekembeat

132 BPM·7B·Breaks / Breakbeat / UK Bass

Tempo lockSame keyPopular

Same key (7b), keeps the same energy, matched brightness, vibe stays consistent — seamless blend

Does this mix work?

Numeros

Bombo Rosa

130 BPM·6B·Breaks / Breakbeat / UK Bass

-2 BPMAdjacentRelated artistPopular

Adjacent key (6b), keeps the same energy, minor tempo adjustment needed, vibe stays consistent — seamless blend

Does this mix work?

Karakuri - Hankook & Perfect Kombo Remix

The Darrow Chem Syndicate, Perfect Kombo, Hankook

132 BPM·7B·Breaks / Breakbeat / UK Bass

Tempo lockSame keyRelated artist

Same key (7b), keeps the same energy, vibe stays consistent — seamless blend

Does this mix work?

Why these tracks?

Every recommendation above is scored across six dimensions — harmonic key, BPM, energy, texture, mood, and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a number and a reason, not just a list of tracks in the same key.

Flow Builder

Plan your sets visually. See chemistry scores between tracks and build your flow before you play.

Start building

Live Mode

Real-time suggestions while you play. Sub-200ms response with energy control and phrasing awareness.

Try Live Mode

6-Dimension Scoring

Analysis

Always Improving

Algorithm

<200ms

Response

Learn more about how Mixgraph works →

Where does this track fit in a set?

Get AI-powered advice on how to use Coming Back by Obscene Frequenzy — what comes before, what follows, and where it hits hardest.

Mix this track in Mixgraph

Find tracks that mix with this one. Build a set around it.

Flow Builder scores transitions across six dimensions. Live Mode hands you the next track in real time. Both are free forever.

Chemistry-scored matches

Harmonic, BPM, energy, groove, mood, vocal — every transition rated.

Live Mode

Real-time next-track recs that adapt to where you're taking the room.

Pro: more, faster, smarter

Unlimited matches, AI set builder, Rekordbox import.

See Pro plans →

No credit card required · Cancel anytime

About This Track

Coming Back by Obscene Frequenzy is a bass-heavy Breaks / Breakbeat / UK Bass track at 132 BPM with moderate drive and subtle groove. At 52% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving without pushing into peak territory.

Harmonic Context

At 7B, this track opens up harmonic mixing with adjacent keys, enabling smooth melodic transitions.

Rhythmic Foundation

At 132 BPM, this Breaks / Breakbeat / UK Bass track sits in groove sustainer territory — maintaining momentum without forcing the energy up.

Energy Profile

With 52% energy, heavy bass weight, this track offers a balanced energy profile for flexible mixing.

Track Character

Energy52%

Drive53%

Groove39%

Brightness80%

Bass Weight90%

Tempo132 BPM

Key7B

Major · 5

4:43

Duration

52%

Mood

-9 dB

Loudness

About this artist

Obscene Frequenzy

Obscene Frequenzy is a breakbeat and UK bass producer working across drum-and-bass and related electronic styles. The project focuses on intricate breakbeat manipulation and sub-bass design within the broader breaks and…

Median BPM: 130
Top key: 12A · C♯ Minor
Tracks: 15

View Obscene Frequenzy’s profile