Artist profile
LMajor is a breakbeat and UK bass producer working within the breaks and bass music landscape. Their work engages with the rhythmic fragmentation and sub-bass frequencies characteristic of the genre.
Compare with another artistPlan a set with LMajor tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
LMajor is a moderate-energy and a bright production — mostly instrumental artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 8 analysed tracks, LMajor averages 37% groove — straighter than 72% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between LMajor’s 8 analysed tracks and every track by 12,460 other artists. 74 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
19 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different LMajor tracks.
23 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different LMajor tracks.
19 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 3 different LMajor tracks.
Engineer → Droppin Bass · 5B → 4B · same BPM · 86 chemistry
18 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different LMajor tracks.
Can't Do It → Brothers and Sisters · 6A → 7A · half-time · 84 chemistry
18 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different LMajor tracks.
18 of the 256 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 3 different LMajor tracks.
19 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different LMajor tracks.
18 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different LMajor tracks.
Engineer → Fat Stress · 5B → 6A · same BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to LMajor by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around LMajor, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
LMajor's tracks in our catalog range from 70 to 163 BPM, with a median of 141 BPM. Across 8 tracks, the most common range falls in the 140–145 BPM bucket.
LMajor's tracks are mostly in minor keys (63% minor across 8 tracks). The most common single key is 6B (B♭ Major) with 2 tracks.
We scored every transition between LMajor's 8 analysed tracks and every track by 12,460 other artists. 74 catalogues clear the bar by more than chance would give, and Benny Page, Break, DJ EKL are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Engineer into Droppin Bass, 5B to 4B, 86 chemistry.
LMajor sits closest to Local Group, K-65, Benton in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has LMajor releases spanning 2018 to 2019, with the most tracks from the 2010s.
