Artist profile
Nero is a UK-based dubstep producer and DJ. Working within the darker, bass-heavy sound of the genre, the artist has contributed to the UK electronic music landscape through original productions and performances.
Compare with another artistPlan a set with Nero (UK) tracks scored against the rest of the catalog
Nero (UK) is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 15 analysed tracks, Nero (UK) averages 50% groove — groovier than 74% of individual Drum & Bass tracks — and 66% energy, harder than 67%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 70–140 BPM with a median of 87 · predominantly minor keys (73% minor) · most common key: 4A (F Minor) with 3 tracks.
How Nero (UK)’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across Nero (UK)'s catalog, tempos have eased from ~87 to ~80 BPM; vocal content has increased.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Nero (UK)’s 15 analysed tracks and every track by 12,460 other artists. 364 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
37 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 6 different Nero (UK) tracks.
End Of The World → Spenk · 2B → 3A · same BPM · 86 chemistry
35 of the 555 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 6 different Nero (UK) tracks.
Crush On You - Radio Edit → MURDER JUNKIE · 4A → 3A · +5 BPM · 86 chemistry
39 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 9 different Nero (UK) tracks.
Crush On You - Radio Edit → Lose Focus · 4A → 3B · same BPM · 91 chemistry
33 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different Nero (UK) tracks.
Reaching Out - Wilkinson Remix → Exoplanet · 8A → 7B · same BPM · 90 chemistry
33 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different Nero (UK) tracks.
Must Be The Feeling - Kill The Noise Remix → Take You There · 2A → 2A · +10 BPM · 86 chemistry
40 of the 585 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different Nero (UK) tracks.
Crush On You - Radio Edit → GrassWhopper · 4A → 5A · same BPM · 87 chemistry
36 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 6 different Nero (UK) tracks.
Crush On You - Radio Edit → Otog · 4A → 4A · half-time · 87 chemistry
32 of the 555 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 6 different Nero (UK) tracks.
Must Be The Feeling - Kill The Noise Remix → Awake · 2A → 2A · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Nero (UK) by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Nero (UK), then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Nero (UK)'s tracks in our catalog range from 70 to 140 BPM, with a median of 87 BPM. Across 15 tracks, the most common range falls in the 85–90 BPM bucket.
Nero (UK)'s tracks are mostly in minor keys (73% minor across 15 tracks). The most common single key is 4A (F Minor) with 3 tracks.
We scored every transition between Nero (UK)'s 15 analysed tracks and every track by 12,460 other artists. 364 catalogues clear the bar by more than chance would give, and Aweminus, Dack Janiels, Datsik are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: End Of The World into Spenk, 2B to 3A, 86 chemistry.
Nero (UK) sits closest to Flux Pavilion, Delta Heavy, Feed Me in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Nero (UK) releases spanning 2007 to 2015, with the most tracks from the 2010s.