Artist profile
Kill The Noise is a dubstep producer and electronic musician known for bass-heavy production and dynamic sound design. His work spans the dubstep and drum and bass spectrum, with releases across multiple independent and label platforms.
Compare with another artistPlan a set with Kill The Noise tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Kill The Noise is a high-energy and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 49 analysed tracks, Kill The Noise sits within a few points of the Dubstep median on energy and groove.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Most tracks sit between 69–170 BPM with a median of 128 · predominantly minor keys (73% minor) · most common key: 9A (E Minor) with 8 tracks.
How Kill The Noise’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dubstep tempo.
Across Kill The Noise's catalog, vocal content has increased.
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We scored every transition between Kill The Noise’s 40 analysed tracks and every track by 12,460 other artists. 466 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
97 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 20 different Kill The Noise tracks.
Cold Hearted → Opus in Eminor · 9A → 9A · same BPM · 92 chemistry
84 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 20 different Kill The Noise tracks.
Song Of The Year → Facepunch · 2A → 2A · same BPM · 92 chemistry
107 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Kill The Noise tracks.
The Blood → Command Execution · 9A → 9A · same BPM · 93 chemistry
80 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 24 different Kill The Noise tracks.
Cold Hearted → The Game · 9A → 9B · same BPM · 89 chemistry
105 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Kill The Noise tracks.
Cold Hearted → They Don't Want It · 9A → 9A · −2 BPM · 91 chemistry
84 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 23 different Kill The Noise tracks.
Cold Hearted → Scatterbrain · 9A → 10A · same BPM · 88 chemistry
80 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 24 different Kill The Noise tracks.
The Blood (VIP) feat. Shadow Cliq → OVERTHOUGHT · 9A → 9A · same BPM · 91 chemistry
80 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 23 different Kill The Noise tracks.
Cold Hearted → Carbonara · 9A → 9A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Kill The Noise by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Kill The Noise, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Kill The Noise's tracks in our catalog range from 69 to 170 BPM, with a median of 128 BPM. Across 49 tracks, the most common range falls in the 130–135 BPM bucket.
Kill The Noise's tracks are mostly in minor keys (73% minor across 49 tracks). The most common single key is 9A (E Minor) with 8 tracks.
We scored every transition between Kill The Noise's 40 analysed tracks and every track by 12,460 other artists. 466 catalogues clear the bar by more than chance would give, and 12th Planet, Chime, Dr. Ozi are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Cold Hearted into Opus in Eminor, 9A to 9A, 92 chemistry.
Kill The Noise sits closest to Zomboy, Feed Me, Knife Party in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Kill The Noise releases spanning 2012 to 2025, with the most tracks from the 2010s.
