Artist profile
DC Breaks is a drum and bass producer and DJ known for work within the genre's electronic production landscape. The artist has developed a presence through releases and performances aligned with drum and bass culture and aesthetics.
Compare with another artistPlan a set with DC Breaks tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
DC Breaks is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 54 analysed tracks, DC Breaks averages 49% groove — groovier than 71% of individual Drum & Bass tracks — and 63% energy, harder than 56%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 65–150 BPM with a median of 87 · predominantly minor keys (59% minor) · most common key: 4A (F Minor) with 15 tracks.
How DC Breaks’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
DC Breaks's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between DC Breaks’s 40 analysed tracks and every track by 12,460 other artists. 917 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
308 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different DC Breaks tracks.
Purge → Out Of My Head (feat. Cherryade) · 7B → 7B · same BPM · 92 chemistry
310 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different DC Breaks tracks.
Mankind 2019 → Watchman · 4A → 3A · same BPM · 91 chemistry
299 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different DC Breaks tracks.
Higher (feat. Doktor) - VIP → All To Me · 4A → 4A · same BPM · 93 chemistry
335 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 35 different DC Breaks tracks.
305 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 37 different DC Breaks tracks.
Club Thug → Dark City feat. Yves Paquet · 4A → 4A · same BPM · 93 chemistry
298 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different DC Breaks tracks.
Underground → TAKE ME HIGHER · 7B → 7B · same BPM · 93 chemistry
311 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 34 different DC Breaks tracks.
Underground → Dancing Shoes · 7B → 7B · same BPM · 92 chemistry
309 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 34 different DC Breaks tracks.
Higher (feat. Doktor) - VIP → Electric · 4A → 4A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to DC Breaks by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around DC Breaks, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
DC Breaks's tracks in our catalog range from 65 to 150 BPM, with a median of 87 BPM. Across 54 tracks, the most common range falls in the 85–90 BPM bucket.
DC Breaks's tracks are mostly in minor keys (59% minor across 54 tracks). The most common single key is 4A (F Minor) with 15 tracks.
We scored every transition between DC Breaks's 40 analysed tracks and every track by 12,460 other artists. 917 catalogues clear the bar by more than chance would give, and 1991, Dub Phizix, Kanine are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Purge into Out Of My Head (feat. Cherryade), 7B to 7B, 92 chemistry.
DC Breaks sits closest to The Prototypes, Loadstar, Wilkinson in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has DC Breaks releases spanning 2012 to 2026, with the most tracks from the 2010s.
